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Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]

Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo
Saint Jerome in Penitence
Oil on canvas. 1546
Lotto, Lorenzo

Lorenzo Lotto`s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée du Louvre, Paris, 1506) and by young Raphael (M [+]

Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca
Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca

The vault of the former Hall of Ambassadors at the Buen Retiro Palace, constructed alongside the former Royal Quarters of San Jerónimo at the behest of the Count-Duke of Olivares as a royal res [+]

Vision of Saint Francis of Assisi
Oil on canvas. 1636 - 1638
Ribera, Jusepe de, lo Spagnoletto
Vision of Saint Francis of Assisi
Oil on canvas. 1636 - 1638
Ribera, Jusepe de, lo Spagnoletto

A more than half-length depiction of the saint, standing in front of a skull and contemplating the angel who shows him a glass recipient filled with transparent water, alluding to the purity that anyo [+]

Ecce Homo
Oil on slate. 1547
Titian (Tiziano Vecellio)
Ecce Homo
Oil on slate. 1547
Titian (Tiziano Vecellio)

Although we do not know when Titian first treated this subject, it was probably in 1535, when he painted a Christ for Federico Gonzaga following a model provided by the duke. The earliest surviving Ec [+]

The Assumption of the Magdalen
Oil on canvas. 1670 - 1675
Antolínez, José
The Assumption of the Magdalen
Oil on canvas. 1670 - 1675
Antolínez, José

According to Jacobus de Voragine´s Golden Legend (c.1260), 14 years after Christ´s Passion, Mary Magdalene and her companions were abandoned and set adrift in a small boat to die. The boat miraculousl [+]

The Mystic Marriage of Saint Catherine
Oil on canvas. 1618 - 1620
Dyck, Anthony Van
The Mystic Marriage of Saint Catherine
Oil on canvas. 1618 - 1620
Dyck, Anthony Van

The daughter of King Constus, Catherine of Alexandria lived in the early 4th century and was a martyr for her Christian faith. Famous for her beauty, wisdom, eloquence and chastity, she is frequently [+]

The Dead Christ venerated by Pius V
Oil on copperplate. Ca. 1572
Parrasio, Michele
The Dead Christ venerated by Pius V
Oil on copperplate. Ca. 1572
Parrasio, Michele

Christ lies dead on a bed beside which Pope Pius V kneels, surrounded by angels. Above them, two angels hold a chalice and a communion wafer, symbols of his death and resurrection. On the lower part o [+]

Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco
Desecration of the Crucifix or Christ of the Insults
Oil on canvas. XVII century
Camilo, Francisco

This is a very significant example of Camilo´s skill at representing uncommon narrative events. It presents one of the episodes in the story of desecration and offense to a crucifix by a family of Por [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

Divine Reason, spare no one
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Divine Reason, spare no one
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

The woman in the drawing is an allegorical representation of Reason, whose fundaments are Truth and Justice. With a set of scales in her left hand and a whip in her right, she strides forward, whippin [+]

Egyptian Priest
Grey marble. 130 - 140
Anonymous
Egyptian Priest
Grey marble. 130 - 140
Anonymous

This statue and its pair (E00414) were found in the area of the Egyptian sanctuaries at Hadrian’s Villa in Tivoli, near Rome. Cardinal Camillo Massimo (1620-1677), their first owner following their re [+]

Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Léon-Auguste Asselineau (1808-1889) que reproduce el lienzo de Claudio de Lorena conservado en el Museo Nacional del Prado (P02256). Esta estampa se entregaba con el cuadernillo C [+]

Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Léon-Auguste Asselineau (1808-1889) que reproduce el lienzo de Caludio de Lorena conservado en el Museo Nacional del Prado (P02256). Esta estampa se entregaba con el cuadernillo C [+]

Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Léon-Auguste Asselineau (1808-1889) que reproduce el lienzo de Caludio de Lorena conservado en el Museo Nacional del Prado (P02256). Esta estampa se entregaba con el cuadernillo C [+]

Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with Saint Onuphrius
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Asselineau, Leon-Augusto -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Léon-Auguste Asselineau (1808-1889) que reproduce el lienzo de Claudio de Lorena conservado en el Museo Nacional del Prado (P02256). Esta estampa se entregaba con el cuadernillo C [+]

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