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The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso
The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso

Technical studies carried out at the Museo del Prado confirm Alonso Cano as the author of this Virgin of the Star, which belongs to the Museo del Prado but has been on loan to the Museo del Bellas Art [+]

View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de
View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de

Beruete’s works often depict the outskirts of Madrid, where he habitually lived between November and June. Besides his views of the Guadarrama from el Plantío de los Infantes -the country estat [+]

Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean
Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean

Son of Philip V and Isabel Farnese, Louis Antonio of Bourbon was born July 25, 1727, became archbishop of Toledo on September 9, 1735, and became cardinal on December 9 of that year. In 1739, he also [+]

Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente
Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente

Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

Saint John the Baptist
Oil on canvas. 1550 - 1555
Titian (Tiziano Vecellio)
Saint John the Baptist
Oil on canvas. 1550 - 1555
Titian (Tiziano Vecellio)

This work joins the two known compositions on this subject by the artist, one in the Galleria dell’Accademia in Venice (ca. 1530-1532) and the other in El Escorial (1565-1570). When he produced a pain [+]

The Viaticum
Oil on canvas. 1840
Alenza, Leonardo
The Viaticum
Oil on canvas. 1840
Alenza, Leonardo

Leonardo Alenza y Nieto was, without doubt, the painter par excellence of romantic costumbrismo from Madrid. (Costumbrismo refers to nineteenth-century genre scenes representing folkloric subjects and [+]

Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio
Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio

The first thing to catch the viewer’s eye is a splendid earthenware pitcher with a typical 18th-century tin-oxide white glaze and a Solomonic braided handle. The bright reflections of light on its cur [+]

The Abduction of Helen
Oil on canvas. 1578 - 1579
Tintoretto, Jacopo Robusti
The Abduction of Helen
Oil on canvas. 1578 - 1579
Tintoretto, Jacopo Robusti

Helen’s move from Sparta to Troy is described very differently in the two oldest narratives. In the Iliad, Homer describes Helen’s reticence to abandon Menelaeus, suggesting she was kidnapped by Paris [+]

Still Life with Plums, Figs, Bread, Barrel, Jug and Other Vessels
Oil on canvas. 1760 - 1770
Meléndez, Luis Egidio
Still Life with Plums, Figs, Bread, Barrel, Jug and Other Vessels
Oil on canvas. 1760 - 1770
Meléndez, Luis Egidio

A compendium of common motifs in Meléndez´s oeuvre is found in this painting, affording it a sense of proximity and trueness to life of great artistic and documentary value. Set out among [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

The drawing was placed in Brun´s (?) collection as by the Ferrarese Benvenuti Tisi, called Garofalo (1481-1559). Both the composition and handling however reveal the influence of Ludovico Carracci, an [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Saint Anne, the Virgin and the Christ Child
Pencil, Grey-brown ink, White lead on paper. XVI century
Cambiaso, Luca (Attributed To)
Saint Anne, the Virgin and the Christ Child
Pencil, Grey-brown ink, White lead on paper. XVI century
Cambiaso, Luca (Attributed To)

This drawing may possibly be by Cambiaso himself, though stains and other damages to the sheet impair assessment of its quality. A studio version of the composition, in reverse and in pen and brown in [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous
Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous

Dibujo en el que se representa a Susana sentada en primer término junto a una fuente mientras rechaza a las figuras de ancianos que están a su espalda. Podría ser dibujo romano de la segunda mitad del [+]

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