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View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de
View of Madrid from the Meadow of San Isidro
Oil on canvas. 1909
Beruete, Aureliano de

Beruete’s works often depict the outskirts of Madrid, where he habitually lived between November and June. Besides his views of the Guadarrama from el Plantío de los Infantes -the country estat [+]

Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean
Cardinal-Infante Luis Antonio de Borbón as a Boy
Oil on canvas. Ca. 1731
Ranc, Jean

Son of Philip V and Isabel Farnese, Louis Antonio of Bourbon was born July 25, 1727, became archbishop of Toledo on September 9, 1735, and became cardinal on December 9 of that year. In 1739, he also [+]

The Viaticum
Oil on canvas. 1840
Alenza, Leonardo
The Viaticum
Oil on canvas. 1840
Alenza, Leonardo

Leonardo Alenza y Nieto was, without doubt, the painter par excellence of romantic costumbrismo from Madrid. (Costumbrismo refers to nineteenth-century genre scenes representing folkloric subjects and [+]

Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio
Still Life with a Plate of Cherries, Plums a Pitcher and Cheese
Oil on canvas. Ca. 1760
Meléndez, Luis Egidio

The first thing to catch the viewer’s eye is a splendid earthenware pitcher with a typical 18th-century tin-oxide white glaze and a Solomonic braided handle. The bright reflections of light on its cur [+]

Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba
Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba

This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]

The Miniaturist Teresa Nicolau Parody
Oil on canvas. Ca. 1844
López Portaña, Vicente
The Miniaturist Teresa Nicolau Parody
Oil on canvas. Ca. 1844
López Portaña, Vicente

As Goya had done with Rosario Weiss, Vicente López undertook to train another of the foremost artists of Spanish Romanticism, the miniaturist Teresa Nicolau. These portraits evince their great [+]

Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente
Weapons and Hunting Equipment
Oil on canvas. Ca. 1700
Victoria, Vicente

Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]

Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y
Vulcan's Forge
Oil on canvas. 1630
Velázquez, Diego Rodríguez de Silva y

A figure suddenly appears on the left in a forge where various blacksmiths are working, dressed in an orange robe and wearing a laurel wreath, with rays of light emerging from his head. This is Apollo [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

Saint John the Baptist
Oil on canvas. 1550 - 1555
Titian (Tiziano Vecellio)
Saint John the Baptist
Oil on canvas. 1550 - 1555
Titian (Tiziano Vecellio)

This work joins the two known compositions on this subject by the artist, one in the Galleria dell’Accademia in Venice (ca. 1530-1532) and the other in El Escorial (1565-1570). When he produced a pain [+]

The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso
The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso

Technical studies carried out at the Museo del Prado confirm Alonso Cano as the author of this Virgin of the Star, which belongs to the Museo del Prado but has been on loan to the Museo del Bellas Art [+]

The Abduction of Helen
Oil on canvas. 1578 - 1579
Tintoretto, Jacopo Robusti
The Abduction of Helen
Oil on canvas. 1578 - 1579
Tintoretto, Jacopo Robusti

Helen’s move from Sparta to Troy is described very differently in the two oldest narratives. In the Iliad, Homer describes Helen’s reticence to abandon Menelaeus, suggesting she was kidnapped by Paris [+]

Still Life with Plums, Figs, Bread, Barrel, Jug and Other Vessels
Oil on canvas. 1760 - 1770
Meléndez, Luis Egidio
Still Life with Plums, Figs, Bread, Barrel, Jug and Other Vessels
Oil on canvas. 1760 - 1770
Meléndez, Luis Egidio

A compendium of common motifs in Meléndez´s oeuvre is found in this painting, affording it a sense of proximity and trueness to life of great artistic and documentary value. Set out among [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni
The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni

Philip Pouncey was the first to propose the attribution to Balducci. The drawing was presumably made late in the artist´s career, after the painter had settled in Naples. [+]

The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)
The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)

A former owner of this impressive drawing believed it to be from the hand of the Bolognese painter Bartolomeo Bagnacavallo, who, according to Vasari, travelled to Rome together with Biagio Pupini (act [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

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