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The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous
The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous

Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous
Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous

The drawing was placed in Brun´s (?) collection as by the Ferrarese Benvenuti Tisi, called Garofalo (1481-1559). Both the composition and handling however reveal the influence of Ludovico Carracci, an [+]

The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous
The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous

In a pencil note on the old mount, Michael Hirst has written: Copy after lost Polidoro. The drawing is by a seventeenth-century hand, and it is not impossible that it is by Pietro Testa. [+]

Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous
Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous

The group appears between a pair of columns on the right of Taddeo´s fresco of the "Last Supper" in the church of S. Maria della Consolazione, Rome. [+]

Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous
Allegorical Female from a Fresco in the Sala Constantino in the Vatican
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous

Allegorical Female from a Fresco in the Sala Constantino in the Vatican. [+]

The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous
The Three Marys
Pencil, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous

Apparently Italian [+]

Nativity / Adoration of the Shepherds
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous
Nativity / Adoration of the Shepherds
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. XVI century
Anonymous

[+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Horsemen fighting outside a walled city
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous
Horsemen fighting outside a walled city
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous

The identification of the bearded man bottom left, perhaps a priest or an Old Testament prophet, seems to hold the key to identification of the subject of this interesting drawing. The artist shows kn [+]

Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous
Presentation of the Virgin in the Temple
Pencil ground, Grey-brown ink, White lead, Wash on brown paper. XVII century
Anonymous

The composition es loosely based on Titian´s painting in the Accademia, Venice, executed in 1534-8 for the Sala dell´Albergo of the Scuola Grande di Santa Maria della Carità, Venice, and still [+]

Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous
Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous

The central figures of the composition raise the banner with the shield of Pope Clement VII (Giulio de Médicis). The execution is loose and the drawing is evidently the work of a follower. It i [+]

Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous
Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous

This is a mediocre copy of Raphael´s famous altarpiece now in the Pinacoteca Vaticana, Rome, which the artist began in 1519 and which was left unfinished at his death. [+]

Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous
Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous

This is a copy after a prototype by either Tintoretto (1560-1635), or Veronés (1528-1588), or by a member of their respective circles. [+]

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