The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
112 results
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Pietà
Oil on canvas. Ca. 1629
Dyck, Anthony Van
Pietà
Oil on canvas. Ca. 1629
Dyck, Anthony Van

The scene depicts one of the most dramatic moments of the Passion and Death of Christ, when the Virgin, accompanied by Mary Magdalene who kisses the Redeemer´s hand, and by Saint John who contem [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

Ariadne sleeping
White marble. 150 - 175
Roman Sculptor
Ariadne sleeping
White marble. 150 - 175
Roman Sculptor

En la pintura de Velázquez que representa una vista del jardín de la Villa Medici en Roma (P1211) se identifica en una logia la estatua de una figura yacente apenas esbozada por el artista. De la figu [+]

The Emperor Hadrian
White marble. Ca. 134
Roman Sculptor
The Emperor Hadrian
White marble. Ca. 134
Roman Sculptor

The image of Publius Aelius Hadrian (76-138 A. D.) did not change much during his rule (117-138 A. D.). This effigy shows him in his maturity, and can thus be dated between 130 and 138 A.D. Despite a [+]

Torso of a Youth
White marble. Ca. 150
Roman Sculptor
Torso of a Youth
White marble. Ca. 150
Roman Sculptor

This sculpture reproduces a Greek original of around 410 BC by a follower of Polyclitus. There are numerous copies of that work, known as the "Dresden Youth type" in reference to the best and most com [+]

Roman Woman
White marble. 150 - 155
Roman Sculptor
Roman Woman
White marble. 150 - 155
Roman Sculptor

The portrait is of a mature, high-class lady with a serene and somewhat tired expression. Like many portraits of its era, it imitates the hairstyles adopted in the imperial household, in this case of [+]

Discophoros
White marble. 130 - 140
Roman Sculptor
Discophoros
White marble. 130 - 140
Roman Sculptor

This work is a Roman copy of the Discophoros ("the discus-bearer"), the first creation of the sculptor Polyclitus (active 460-420 B. C.). As is typical of Polyclitus’s art, the modelling of the body i [+]

Aphrodite and Eros
White carrara marble. Ca. 35
Roman Sculptor
Aphrodite and Eros
White carrara marble. Ca. 35
Roman Sculptor

Double hermae of gods, similar to the image of the two-headed Janus, were created from the first century B. C. onwards for Roman collectors. Here, Aphrodite and her son Eros, the goddess and god of lo [+]

Pensive Muse
African marble, White marble. 50 - 90
Anonymous
Pensive Muse
African marble, White marble. 50 - 90
Anonymous

The late Hellenistic relief of The Apotheosis of Homer in the British Museum in London includes a muse almost identical to this one at the entrance to a grotto, attentively listening to the lyre music [+]

Trajan (?) in military costume
White marble. Ca. 100
Roman Sculptor
Trajan (?) in military costume
White marble. Ca. 100
Roman Sculptor

Originally, the statue was probably the effigy of the emperor Trajan (98-117 A. D.) as a general. The only ancient part of the sculpture is the torso covered with anatomical armour (thorax in Latin), [+]

Chaste Venus
White marble. Ca. 135
Anonymous
Chaste Venus
White marble. Ca. 135
Anonymous

This Roman work reproduces a prototype of the Chaste Aphrodite dating from around 155-150 B.C. It was restored during the Renaissance by someone called B. Rovira, whose name is inscribed alongside the [+]

Dionysus
White marble. Ca. 150
Roman Sculptor
Dionysus
White marble. Ca. 150
Roman Sculptor

The Roman copy of a late Hellenistic model (125-100 B. C.) which, on account of its relaxed posture, recalls Praxiteles’ art. The god, who is leaning on a herm, a distinctive feature of the late first [+]

Bull in high relief
White marble. 20 A.C. - 60
Roman Sculptor
Bull in high relief
White marble. 20 A.C. - 60
Roman Sculptor

Represented in high relief at half life-size, this bull trots to the right in front of a thin wall that offers additional support to his legs. His scapulae are realistically rendered, as are his hip j [+]

Orestes and Pylades or The San Ildefonso Group
White carrara marble. Ca. 10 a.C.
Pupil Of Pasiteles
Orestes and Pylades or The San Ildefonso Group
White carrara marble. Ca. 10 a.C.
Pupil Of Pasiteles

The San Ildefonso Group was discovered in Rome in 1623 and arrived at the palace of La Granja de San Ildefonso one hundred years later. This work shows Orestes and Pylades, legendary models of friends [+]

Dance in honour of Dionysus
White marble. 50 A.C. - 30 a.C.
Hellenistic Workshop
Dance in honour of Dionysus
White marble. 50 A.C. - 30 a.C.
Hellenistic Workshop

Silenus, satyrs and Maenads accompanied Dionysus from his mythical childhood. Their dance was performed at all the satirical plays of Athens and repeated in the Dionysian cults. The drum and the doubl [+]

Emperor Marcus Aurelius
White marble. Ca. 161
Roman Sculptor
Emperor Marcus Aurelius
White marble. Ca. 161
Roman Sculptor

In 161 A.D., when Marcus Aurelius (121-180) was named Emperor of Rome, this type of portrait was created. It was very wide-spread, and is well known through the equestrian statue at the Capitol in Rom [+]

The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor
The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor

The four reliefs of Bacchantes (E00042, E00043, E00045 y E00046) are Roman copies of Greek originals made in Athens in the late fifth-century B.C. to adorn a monument to Dionysius, or related with the [+]

Up