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Urania
Red chalk, White chalk on dark toned paper. Before 1769
Bayeu, Francisco
Urania
Red chalk, White chalk on dark toned paper. Before 1769
Bayeu, Francisco

Cabeza de tres cuartos a la izquierda y en escorzo visto desde abajo. Probablemente para la figura de Urania en la parte inferior derecha de la bóveda del fresco la Apoteosis de Hércules, pintado ant [+]

The Virgin
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco
The Virgin
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco

Dibujo preparatorio para la figura principal de la bóveda de la Regina Santorum Omnium ante la Santa Capilla y su coreto, de la Basílica del Pilar de Zaragoza. El boceto para el fresco se encuentra en [+]

Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))
Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))

The drawing is based on the central and lower left sections of Titian´s Adoration of the Trinity (La Gloria) in the Prado. [+]

Christ the Saviour blessing
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco
Christ the Saviour blessing
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco

Estudio preparatorio en el que se representa al Salvador bendiciendo de pie, de frente, sobre la bola del mundo. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Españoles. Siglo XVII [+]

Child Jesus
Black chalk, White chalk on green paper. XVIII century
Bayeu, Francisco
Child Jesus
Black chalk, White chalk on green paper. XVIII century
Bayeu, Francisco

Estudio preparatorio, es el modelo habitual para la figura del Niño Jesús en varias de sus Sagradas Familias. Especialmente próximo a los dibujos preparatorios conservados en el Museo Nacional del Pra [+]

Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Head of a Woman
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Estudio de una cabeza femenina; ésta se representa con el cabello recogido y la mirada en alto. Su estilo es muy próximo a González Ruíz. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Di [+]

The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous
The Assumption of the Virgin
White oil, Grey-brown wash on brown paper. XVIII century
Anonymous

Es dibujo de buena calidad y de escuela boloñesa de la primera mitad del siglo XVIII, relacionado con el estilo de Antonio Gionima.En él se representa en la parte baja a los apóstoles, arrodillados y [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Life study
Red chalk, White chalk on dark toned paper. 1744
González Ruiz, Antonio
Life study
Red chalk, White chalk on dark toned paper. 1744
González Ruiz, Antonio

Dibujo de un desnudo varonil, sentado de perfil a la izquierda, sobre un grueso sillar, con las manos a la espalda y la pierna derecha extendida.La fecha de 1744 obliga a considerar este estudio de Ac [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)
The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)

A former owner of this impressive drawing believed it to be from the hand of the Bolognese painter Bartolomeo Bagnacavallo, who, according to Vasari, travelled to Rome together with Biagio Pupini (act [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]

A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous
A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous

Dibujo que reprenda a una Sibila sentada sobre nubes, sostiene un libro en la mano derecha y alza la cabeza, tocada con un turbante. Es apunte boloñés de mediados del s. XVII, inspirado en las composi [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura femenina sentada en una nube con la cabeza de perfil derecho. Dibujo preparatorio para la figura correspondiente en la parte inferior izquierda del fresco de la Apoteosis de Hércules, pintado a [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

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