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The Virgin and Child with Saints
Red chalk on white paper. XVIII century
Anonymous
The Virgin and Child with Saints
Red chalk on white paper. XVIII century
Anonymous

A la derecha, sentada sobre un pedestal, la Virgen con el Niño, y a la izquierda, varios santos; dos angelitos sostienen un paño, un santo franciscano y uno guerrero, la santa arrodillada ante la que [+]

The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous
The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous

Dibujo en el que se representa el tema de la Adoración de los Reyes Magos. Es obra de principios del siglo XVII. (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VI. Dibujos italianos del s [+]

The Virgin and Child
Black chalk on white paper. 1650 - 1700
Anonymous
The Virgin and Child
Black chalk on white paper. 1650 - 1700
Anonymous

Dibujo que presenta a la Virgen sentada sobre nubes que sostiene al Niño Jesús sentado sobre una de sus rodillas. Es boloñés de la segunda mitad del S. XVII (Texto extractado de Mena Marqués, M.: Catá [+]

The Virgin and Child
Black chalk, Pencil, Grey wash on white paper. Early XVII century
Ridolfi, Carlo
The Virgin and Child
Black chalk, Pencil, Grey wash on white paper. Early XVII century
Ridolfi, Carlo

El dibujo presenta a la Virgen sentada de frente, con el Niño Jesús sobre las rodillas. De pequeñas dimensiones y de una gran delicadeza, que parece enlazar estilísticamente con la escuela veneciana d [+]

The Virgin and Child
Pencil, Grey-brown wash, White lead on brown paper. 1675 - 1700
Anonymous
The Virgin and Child
Pencil, Grey-brown wash, White lead on brown paper. 1675 - 1700
Anonymous

Dibujo en el que se representa a la Virgen sentada de frente que sostiene al Niño Jesús en el regazo. Es dibujo boloñés de finales del siglo XVII, que deriva del estilo de Marcantonio Franceschini y p [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

The drawing was placed in Brun´s (?) collection as by the Ferrarese Benvenuti Tisi, called Garofalo (1481-1559). Both the composition and handling however reveal the influence of Ludovico Carracci, an [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Palma el Joven, Jacopo)
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Palma el Joven, Jacopo)

[+]

The Virgin and Child
Red chalk on white paper. XVII century
Cignani, Carlo
The Virgin and Child
Red chalk on white paper. XVII century
Cignani, Carlo

El dibujo presenta la figura de la virgen de medio cuerpo y de perfil a la derecha, sostiene al Niño Jesús en sus brazos. El estilo es el característico de Cignani, aunque una cierta dureza de las for [+]

Head of a Woman
Red chalk, White chalk on green paper. Ca. 1774
Tiepolo, Lorenzo
Head of a Woman
Red chalk, White chalk on green paper. Ca. 1774
Tiepolo, Lorenzo

Con Carlos III los gustos italianizantes del carnaval se afianzaron en la corte madrileña. Se puso de moda asistir a los bailes de máscaras disfrazado de majo y de tipos regionales. Tiepolo muestra a [+]

Head of a Woman
Black chalk, Red chalk, Touches of white chalk on grey paper. First half of the XVIII century
Anonymous
Head of a Woman
Black chalk, Red chalk, Touches of white chalk on grey paper. First half of the XVIII century
Anonymous

Con vestido y peinado del siglo XVIII. Atribuido de antiguo a Barocci, es dibujo de gran calidad que enlaza con la escuela veneciana de la primera mitad del siglo XVIII y debe ser de un artista del cí [+]

Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo
Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo

In Bruns´s (?) collection as by the Venetian Jacopo Bassano (c. 1510-1592). P. Pouncey´s seems to be the recent anonymous hand that has noted on the modern museum mount: Cavedone? While the figures re [+]

The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)
The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)

This is clearly a pastiche in the manner of Parmigianino, apparently by an eighteen-century hand, after a prototype that remains to be identified. [+]

The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria
The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria

A la derecha, Cristo, semidesnudo, muestra la herida del pecho; a su izquierda, inclinado, Santo Tomás introduce en ella su mano; los apóstoles aparecen al fondo en semicírculo. Presenta el estilo car [+]

Design for a compartment: four figures bringing a deer to sacrifice on a fire on which a bull is burning
Pencil, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Boscoli, Andrea (Attributed To)
Design for a compartment: four figures bringing a deer to sacrifice on a fire on which a bull is burning
Pencil, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Boscoli, Andrea (Attributed To)

The drawing is surely by a sixteenth-century Florentine artist, as is shown by its similarity in handling and technique to The age of gold by Jacopo Zucchi (1541-1589/90) in the Paul Getty Museum, Los [+]

Head of a Woman
Red chalk, White chalk on green paper. XVIII century
Tiepolo, Lorenzo
Head of a Woman
Red chalk, White chalk on green paper. XVIII century
Tiepolo, Lorenzo

El dibujo lleva una atribución genérica a Tiepolo, pero su comparación con otros hace pensar que sea de mano de Lorenzo, realizado con una técnica más cuidadosa y fina. Debió de servirle de preparació [+]

The Virgin and Child
Red chalk, White chalk on brown paper. Ca. 1745
Bigari, Vittorio Maria
The Virgin and Child
Red chalk, White chalk on brown paper. Ca. 1745
Bigari, Vittorio Maria

La Virgen en pie, de frente, sostiene al Niño Jesús, que levanta su mano izquierda con una cruz, sentado sobre un pedestal a su izquierda.Delicado estudio con precisión de miniaturista, que enlaza en [+]

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