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Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco
Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco

Dibujo en el que se representa una figura masculina desnuda de frente sentada en un sillar, con la pierna izquierda doblada y apoyada en otro sillar, la mano derecha apoyada sobre la rodilla izquierda [+]

Saint Peter
Red chalk, White chalk on dark toned paper. 1781
Bayeu, Francisco
Saint Peter
Red chalk, White chalk on dark toned paper. 1781
Bayeu, Francisco

Dibujo preparatorio para la figura de San Pedro en la parte central (debajo de la Virgen) de la bóveda del fresco Regina Apostolorum, de la nave a la izquierda de la Santa Capilla de la Basílica del P [+]

Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))
Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))

The drawing is based on the central and lower left sections of Titian´s Adoration of the Trinity (La Gloria) in the Prado. [+]

Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Dibujo de un Cristo crucificado muy torpe y desproporcionado, como estudio de principiante. De técnica derivada de la de Bayeu. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

Saint Francis
Black chalk, White chalk on blue paper. 1787
Bayeu y Subías, Ramón
Saint Francis
Black chalk, White chalk on blue paper. 1787
Bayeu y Subías, Ramón

Dibujo preparatorio para la figura de un San Francisco. En se representa al santo arrodillado en una grada hacia la derecha y con los brazos extendidos. Muy relacionado con la figura de San Francisco [+]

Hercules and the Erymanthian Boar
Black chalk on white paper. XVII century
Anonymous
Hercules and the Erymanthian Boar
Black chalk on white paper. XVII century
Anonymous

Es dibujo de difícil clasificación dentro de la escuela italiana, fechable a fines del siglo XVII, y tal vez de escuela napolitana.(Texto extractado de Mena Marqués, M.B., Catálogo de dibujos. VI. Dib [+]

Head of a Woman
Black chalk, White chalk on green paper. XVIII century
Bayeu, Francisco
Head of a Woman
Black chalk, White chalk on green paper. XVIII century
Bayeu, Francisco

Estudio de una cabeza femenina de tres cuartos hacia la izquierda y en escorzo visto desde abajo. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Españoles. Siglo XVIII (A-B), Museo [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)
The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)

A former owner of this impressive drawing believed it to be from the hand of the Bolognese painter Bartolomeo Bagnacavallo, who, according to Vasari, travelled to Rome together with Biagio Pupini (act [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]

A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous
A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous

Dibujo que reprenda a una Sibila sentada sobre nubes, sostiene un libro en la mano derecha y alza la cabeza, tocada con un turbante. Es apunte boloñés de mediados del s. XVII, inspirado en las composi [+]

Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco
Diana
Black chalk, White chalk on green paper. Before 1769
Bayeu, Francisco

Figura femenina sentada en una nube con la cabeza de perfil derecho. Dibujo preparatorio para la figura correspondiente en la parte inferior izquierda del fresco de la Apoteosis de Hércules, pintado a [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo
God the Father with Angels Appearing among Clouds
Pencil ground, Grey-brown ink, White lead, Wash on green paper. Second half of the XVI century
Farinati, Paolo

Farinati was one of the most prolific draftsmen active in Verona in the second half of the sixteenth century. His pictorial approach to drawing -many of his studies are carried out largely with the br [+]

Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de
Architectural Elevation of an Interior, with Two Clerestory Windows and Part of a Vaulted Ceiling, Putti Supporting Swags of Fruit and Effigies of St. Michael and the Annunciate Virgin
Pencil, Grey-brown ink, Grey-brown wash, White lead, Yellow wash on paper. Second half of the XVI century
Vecchi, Giovanni de

This is an entirely characteristic work of Giovanni de´ Vecchi. The two imprese, in the panel´s lower center, which might otherwise provide evidence as to the church decoration here designed, are alas [+]

Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco
Apollo
Black chalk, White chalk on grey paper. 1786
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte central izquierda del fresco de Apolo protegiendo las Ciencias y las Artes en la Biblioteca del Palacio Real de Madrid. Se representa a la figu [+]

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