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Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Saint Catherine of Siena
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Catherine of Siena
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Pilate washing his Hands
Tempera grassa on pine panel. 1540 - 1545
Correa de Vivar, Juan
Pilate washing his Hands
Tempera grassa on pine panel. 1540 - 1545
Correa de Vivar, Juan

Among the commissions that Correa made for the former monastery of the Bernardine fathers at Santa María la Real de Valdeiglesias are a group of three panels with scenes from the Passion of Christ. Their representations in circular compositions and many stylistic similarities indicate that they belonged to the same set. These three panels depict three successive stories: Pilate washing his

Hercules and Omphale
Red chalk, White chalk on brown paper. 1780 - 1790
Gandolfi, Gaetano
Hercules and Omphale
Red chalk, White chalk on brown paper. 1780 - 1790
Gandolfi, Gaetano

This drawing is part of a series of works by Gandolfi depicting Hercules and Omphale. It includes drawings held by the Pinacoteca di Forlì, a possible sketch in a private collection in Milan, and a painting that was in the Venetian Brass Collection, possibly the same exhibited at Agnews, London, in May 1966, according to the Warburg Institute’s iconography database.All of these works clearl

Case for plain rock crystal vessel with a lid and foliate mount
Leather, Wood, Gamuza. 1650 - 1689
Anonymous
Case for plain rock crystal vessel with a lid and foliate mount
Leather, Wood, Gamuza. 1650 - 1689
Anonymous

This case takes the form of the vessel for which it was made, a Plain rock crystal vessel with a lid and foliate mount (disappeared during the War of Independence). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding

Case for boat-shaped jasper tazza
Metal, Leather, Wood, Suede. XVII century
Anonymous
Case for boat-shaped jasper tazza
Metal, Leather, Wood, Suede. XVII century
Anonymous

This case takes the form of the vessel for which it was made, a Boat-shaped jasper tazza (O58). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool and silk or taffeta

Case for rock crystal ewer with a handle in the form of a winged beast
Metal, Leather, Wood, Gamuza. 1650 - 1689
Anonymous
Case for rock crystal ewer with a handle in the form of a winged beast
Metal, Leather, Wood, Gamuza. 1650 - 1689
Anonymous

This case takes the form of the vessel for which it was made, a Rock crystal ewer with a handle in the form of a winged beast (O99). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures ar

Case for drinking vessel with six lobes and scroll-shaped handles
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous
Case for drinking vessel with six lobes and scroll-shaped handles
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous

This case takes the form of the vessel for which it was made, a Drinking vessel with six lobes and scroll-shaped handles (O88). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lin

Case for boat-shaped agate cup with two masks and cover
Velvet, Metal, Leather, Wood. 1590 - 1600
Anonymous
Case for boat-shaped agate cup with two masks and cover
Velvet, Metal, Leather, Wood. 1590 - 1600
Anonymous

This case takes the form of the vessel for which it was made, a Boat-shaped agate cup with two masks and cover (O16). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wo

Case for heliotrope cup with diamonds and rubies
Velvet, Terrycloth, Metal, Wood. XVII century
Anonymous
Case for heliotrope cup with diamonds and rubies
Velvet, Terrycloth, Metal, Wood. XVII century
Anonymous

This case takes the form of the vessel for which it was made, a Heliotrope cup with diamonds and rubies (HF835/022). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with woo

Case for boat-shaped agate cup with a winged siren
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous
Case for boat-shaped agate cup with a winged siren
Metal, Fabric, Leather, Wood. 1690 - 1711
Anonymous

This case takes the form of the vessel for which it was made, a Boat-shaped agate cup with a winged siren (O6). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool and

Case for agate urn with masks
Metal, Fabric, Leather, Wood. 1650 - 1689
Anonymous
Case for agate urn with masks
Metal, Fabric, Leather, Wood. 1650 - 1689
Anonymous

This case takes the form of the vessel for which it was made, a Agate urn with masks (O15). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool and silk or taffeta, an

Case for small jade and silver-gilt brazier with two masks
Silk, Metal, Leather, Wood, Paper. 1675 - 1700
Anonymous
Case for small jade and silver-gilt brazier with two masks
Silk, Metal, Leather, Wood, Paper. 1675 - 1700
Anonymous

This case takes the form of the vessel for which it was made, a Small jade and silver-gilt brazier with two masks (O64). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with

Case for heliotrope tazza with turquoises and rubies
Velvet, Leather, Wood. 1600 - 1711
Ottoman Workshop
Case for heliotrope tazza with turquoises and rubies
Velvet, Leather, Wood. 1600 - 1711
Ottoman Workshop

This case takes the form of the vessel for which it was made, an Heliotrope tazza with turquoises and rubies (O71). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool

Case for rock crystal cup with carved masks
Silk, Metal, Leather, Wood. 1662 - 1700
Anonymous
Case for rock crystal cup with carved masks
Silk, Metal, Leather, Wood. 1662 - 1700
Anonymous

This case takes the form of the vessel for which it was made, a Rock crystal cup with carved masks (O120). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool and silk

Case for egg-shaped agate vessel with cameos on the foot, stem and finial
Fabric, Leather, Wood. 1650 - 1711
Anonymous
Case for egg-shaped agate vessel with cameos on the foot, stem and finial
Fabric, Leather, Wood. 1650 - 1711
Anonymous

This case takes the form of the vessel for which it was made, an Egg-shaped agate vessel with cameos on the foot, stem and finial (O33). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structure

Case for Fluted goblet with a tall stem and rubies
Velvet, Metal, Leather, Wood. Ca. 1600
Anonymous
Case for Fluted goblet with a tall stem and rubies
Velvet, Metal, Leather, Wood. Ca. 1600
Anonymous

This case takes the form of the vessel for which it was made, a Fluted goblet with a tall stem and rubies (O20). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match the shape of each and allow them to be safely transported and counted, as each can be recognized by the contours of its corresponding box. Their wooden structures are lined with wool an

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