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María Luisa de Borbón y Sajonia
Oil on canvas. Ca. 1765
Anonymous
María Luisa de Borbón y Sajonia
Oil on canvas. Ca. 1765
Anonymous

In 1765 María Luisa de Borbón (1745-1792), daughter of Charles III, married the Austrian Archduke Leopold, Grand Duke of Tuscany, in Innsbruck. Her exquisite clothes and hairstyle reflec [+]

María Ignacia Álvarez de Toledo y Gonzaga Caracciolo, Marchioness of Astorga
Marble. Late XVIII century
Anonymous
María Ignacia Álvarez de Toledo y Gonzaga Caracciolo, Marchioness of Astorga
Marble. Late XVIII century
Anonymous

The 10th Marchioness of Villafranca del Bierzo (1757-1795), who was also painted by Goya, was the first wife of the 16th Marquis of Astorga, an important art collector. The Marchioness has a curious h [+]

The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Another directly corresponding School version of this drawing was formerly in the Suida Manning Collection, New York, and is now in the Jack S. Blanton Museum of Art, at the University of Texas, Austi [+]

The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

The Virgin and Child Seated with the Infant St. John the Baptist and a Child Angel, from the Terranuova Madonna
Red chalk on paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
The Virgin and Child Seated with the Infant St. John the Baptist and a Child Angel, from the Terranuova Madonna
Red chalk on paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

An annotation on the mount correctly identifies the drawing as a copy after Raphael´s picture in the Gemäldegalerie, Berlin, which is generally dated 1504-5. Being an offset, however, the design [+]

Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan
Octagonal coffer with engraving and cameos
Albumen on photographic paper. Ca. 1879
Delabarre, Pierre -Sculptor- (Circle Of); Anonymous; Laurent y Minier, Juan

[+]

The Virgin and Child appearing to Sts. Christopher and Francis
Pencil, Grey-brown ink, Grey-brown wash on yellow paper. XVI century
Anonymous (Circle Of Casolani, Alessandro)
The Virgin and Child appearing to Sts. Christopher and Francis
Pencil, Grey-brown ink, Grey-brown wash on yellow paper. XVI century
Anonymous (Circle Of Casolani, Alessandro)

This appears to be by a follower of the Sienese painter Casolani, rather than by the master himself. The head of St. Francis, with its large nose and bulbous lips, seems especially unfortunate,. The d [+]

The Virgin and Child with Sts. Catherine, Agatha, Paul and a bishop saint
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
The Virgin and Child with Sts. Catherine, Agatha, Paul and a bishop saint
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The monotonous pen-work indicates this is a copy. The arrangement of the figures and the somber lighting suggest that the prototype may have been a composition by a late sixteenth-century Roman artist [+]

St. Benedict enthroned, accompanied by St. John the Baptist and St, Luke and a monk
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
St. Benedict enthroned, accompanied by St. John the Baptist and St, Luke and a monk
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

This drawing is connected with Cambiaso´s altarpiece of St. Benedict enthroned between Saints John the Baptist and Luke, commissioned by Luca Spinola in 1562 for the family chapel in the now demolishe [+]

Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

As Scavizzi rightly pointed out in a note on the modern museum mount, the principal composition is derived from Parmigianino. From the style of the copy, as well as that of the separate studies to the [+]

Case for jasper vessel with gold and enamelled rim and foot and eight attached clips
Silk, Metal, Leather, Wood. XVII century
Anonymous
Case for jasper vessel with gold and enamelled rim and foot and eight attached clips
Silk, Metal, Leather, Wood. XVII century
Anonymous

This case takes the form of the vessel for which it was made, a Jasper vessel with gold and enamelled rim and foot and eight attached clips, stolen in 1918 (HF835/003). The exquisite pieces from the D [+]

Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous (Circle Of Boscoli, Andrea)
Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous (Circle Of Boscoli, Andrea)

Attributed to Palma Il Giovane (ca. 1548-1628), the drawing has little or nothing to do with this author, although in Turner´s opinion, there are several stylistic features that evoke Boscoli&ac [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Agate vessel with three bands of cameos, Jasper and chalcedony tazza with garlands , Agate vessel with three bands of cameos
Albumen on photographic paper. Ca. 1879
Anonymous; Ladoireau, Pierre; Laurent y Minier, Juan
Agate vessel with three bands of cameos, Jasper and chalcedony tazza with garlands , Agate vessel with three bands of cameos
Albumen on photographic paper. Ca. 1879
Anonymous; Ladoireau, Pierre; Laurent y Minier, Juan

[+]

And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)
And still they don't go!
Pencil, Pencil, Indian ink, Grey ink, Iron gall ink, Wash on laid paper. Mid-XIXcentury
Anonymous (Copy After Goya y Lucientes, Francisco de)

Este dibujo se incluye en el conjunto de 77 copias de los Caprichos de Goya de autor anónimo los cuales, sin aparente relación con la obra de Martín Rico, sin embargo han formado parte de su colección [+]

Case for rock crystal dish with an engraved eagle and for salver
Metal, Cloth, Leather, Wood. 1690 - 1711
Anonymous
Case for rock crystal dish with an engraved eagle and for salver
Metal, Cloth, Leather, Wood. 1690 - 1711
Anonymous

This case takes the form of the vessels for which it was made, a Rock crystal dish with an engraved eagle (O20) and a salver (disappeared). The exquisite pieces from the Dauphin´s Treasure are complem [+]

Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous
Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous

According to Laurent’s photographs, the vessel, a high cup made in about 1530-40, consisted of four pieces and four enamelled gold mounts, of which two remain. On the cover, among leaves, spirals and [+]

the Madonna di Loreto, with Sts. Sebastian and Roch, appearing before a crowd of monks and pilgrims [Members of the Third Order of St. Francis (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous
the Madonna di Loreto, with Sts. Sebastian and Roch, appearing before a crowd of monks and pilgrims [Members of the Third Order of St. Francis (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous

The arms of Pope Sixtus V appear in the middle of the base. To either side of the arms are two empty escutcheons, each surmounted by a Cardinal´s hat, as if the particulars of the two cardinal donors [+]

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