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Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco
Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco

Dibujo en el que se representa una figura masculina desnuda de frente sentada en un sillar, con la pierna izquierda doblada y apoyada en otro sillar, la mano derecha apoyada sobre la rodilla izquierda [+]

The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de José María Zanetti, oriundo de Zaragoza y activo en Roma hacia 1817, donde se encontraba pensionado por Carlos Miguel, XIV duque de Alba, tomando clases en la Academia de San Lucas. Así lo [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous
The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous

La Virgen, sentada de perfil a la derecha, sujeta con la mano izquierda al Niño desnudo que coge una fruta del racimo que María sostiene con la derecha. San Juan parece dormir. Recortado en óvalo y re [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)
Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)

The gaiety and liveliness of the figures, the pictorial choice of media and the drawing´s lightness of touch suggest the work of Cesare Pollini, a little-known Umbrian painter and draftsman. Compariso [+]

The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus
The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus

En la parte inferior los apóstoles se agrupan alrededor del sepulcro vacío de la Virgen, uno arrodillado en primer término alza la cabeza y otro tras él extiende los brazos. En la parte superior la Vi [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis

Arrodillado, de perfil a la derecha, el santo recibe la casulla de manos de la Virgen, sentada en un trono de nubes a la derecha. En primer término dos ángeles niños juegan con el báculo y tras el san [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

Saint Francis of Assisi
Black chalk, Touches of red chalk on dark yellow paper. XVIII century
Gandolfi
Saint Francis of Assisi
Black chalk, Touches of red chalk on dark yellow paper. XVIII century
Gandolfi

La composición en un óvalo. El santo de tres cuartos con las manos cruzadas y la cabeza alzada, en actitud de oración. La figura es copia del San Francisco, que aparece en el cuadro de Guido Reni de l [+]

Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous
Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous

In a nineteenth-century inscription and in further annotations on the reverse, the drawing is given to the Sienese Domenico Beccafumi (1484-1551). In 1980, in a pencil note on the mount, Anna Forlani [+]

The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)
The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)

Dibujo de escasa calidad, posible copia de un apunte de Giandomenico Tiepolo, cuya técnica y modelos intenta reproducir de forma burda. La composición es semejante a la de un original de Giandomenico [+]

Saint John the Baptist
Pencil, Grey-brown wash on yellow paper. XVII century
Anonymous
Saint John the Baptist
Pencil, Grey-brown wash on yellow paper. XVII century
Anonymous

El santo se representa semiarrodillado a la derecha, ante una peña, con las manos juntas y la vista alzada; a su lado, el cordero. Fondo de paisaje con árboles.La atribución a Coello parece insostenib [+]

Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

In the bottom section, the tabernacle is flanked by two scenes: Saint John distributing alms in the company of an angel, and Saint John washing Christ’s feet. The middle section has an image of the Vi [+]

The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)
The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)

El dibujo presenta a la derecha, sobre un pedestal, la Virgen con el Niño; en primer término, de espaldas, una figura femenina con una cruz, y a la izquierda, arrodillados, adorando a la Virgen, una d [+]

Olympus
Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Ximeno y Planes, Rafael
Olympus
Pencil ground, Grey-brown wash on yellow laid paper. XVIII century
Ximeno y Planes, Rafael

Copia fragmentaria de la estampa de Dorigny (en 1651) que reproduce uno de los cuadros de la decoración de la galería del hotel Segnier de Paris, representando las Bodas de Tetis y Peleo, de Simon Vou [+]

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