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Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco
Life study
Red chalk, White chalk on dark yellow paper. XVIII century
Bayeu, Francisco

Dibujo en el que se representa una figura masculina desnuda de frente sentada en un sillar, con la pierna izquierda doblada y apoyada en otro sillar, la mano derecha apoyada sobre la rodilla izquierda [+]

The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de José María Zanetti, oriundo de Zaragoza y activo en Roma hacia 1817, donde se encontraba pensionado por Carlos Miguel, XIV duque de Alba, tomando clases en la Academia de San Lucas. Así lo [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la
Alegoría del Comercio
Pencil, Grey-brown wash on yellow laid paper. XVIII century
Cruz Vázquez, Manuel de la

Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]

Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)
Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)

Inscribed in brown ink on a strip of paper pasted at the bottom of the sheet: CHERUBINUS ALBERTIUS PICTOR ET ARCHITEC. FECIT QUI VIX AN. LXIII. DEC. MDCXV. The eighteenth-century inscription written o [+]

Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Insofar as it is possible to judge from its fragmentary condition (more than half the drawing is made up; the original piece of paper on which the study is made occupies the upper section only of the [+]

Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo
Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo

St. Anne, the mother of the Virgin Mary, is the elderly female saint kneeling on the floor in the interior of a temple and the heavenly apparition that takes place above her head foretells her concept [+]

Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)
Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)

This is a study for one of the demons in the group at the lower right of the Last Judgement, which he painted between 1536 and 1541 on the altar wall of the Sistine Chapel in the Vatican. In the fresc [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous (Copy Tempesta, Antonio)
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous (Copy Tempesta, Antonio)

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

The Rape of Europa
Pencil, Grey-brown wash on dark yellow paper. XVII century
Mola, Pier Francesco
The Rape of Europa
Pencil, Grey-brown wash on dark yellow paper. XVII century
Mola, Pier Francesco

En primer término y ante un fondo de paisaje, Europa sentada sobre un toro, llevado por un amorcillo; detrás varias ninfas y en la parte superior tres pequeños cupidos. El dibujo lleva una atribución [+]

The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus
The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus

En la parte inferior los apóstoles se agrupan alrededor del sepulcro vacío de la Virgen, uno arrodillado en primer término alza la cabeza y otro tras él extiende los brazos. En la parte superior la Vi [+]

Jupiter and a woman standing before him
Grey-brown ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Jupiter and a woman standing before him
Grey-brown ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Although the drawing is certainly not by him, the style is indeed much indebted to Perino del Vaga ´s Genoese period and is reminiscent of G. B. Castello, ´Il Bergamasco´ (c. 1509-1569), a [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Ildefonso receiving the Chasuble
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on yellow laid paper. XVII century
Schut, Cornelis

Arrodillado, de perfil a la derecha, el santo recibe la casulla de manos de la Virgen, sentada en un trono de nubes a la derecha. En primer término dos ángeles niños juegan con el báculo y tras el san [+]

The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio
The Virgin and Child with Saints
Pencil, Grey-brown wash on yellow laid paper. 1669
Coello, Claudio

En un interior, de forma absidial, y sobre unas gradas, aparece representada la Virgen, sedente, con el Niño de pie en su regazo. Tras ella se sitúa Santa Ana y a su lado derecho, San Juanito, con el [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

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