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The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de José María Zanetti, oriundo de Zaragoza y activo en Roma hacia 1817, donde se encontraba pensionado por Carlos Miguel, XIV duque de Alba, tomando clases en la Academia de San Lucas. Así lo [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)
Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)

Inscribed in brown ink on a strip of paper pasted at the bottom of the sheet: CHERUBINUS ALBERTIUS PICTOR ET ARCHITEC. FECIT QUI VIX AN. LXIII. DEC. MDCXV. The eighteenth-century inscription written o [+]

Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Insofar as it is possible to judge from its fragmentary condition (more than half the drawing is made up; the original piece of paper on which the study is made occupies the upper section only of the [+]

Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo
Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo

St. Anne, the mother of the Virgin Mary, is the elderly female saint kneeling on the floor in the interior of a temple and the heavenly apparition that takes place above her head foretells her concept [+]

The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous
The Virgin and Child with the Infant Saint John the Baptist
Pencil on yellow paper. XVII century
Anonymous

La Virgen, sentada de perfil a la derecha, sujeta con la mano izquierda al Niño desnudo que coge una fruta del racimo que María sostiene con la derecha. San Juan parece dormir. Recortado en óvalo y re [+]

Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)
Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)

This is a study for one of the demons in the group at the lower right of the Last Judgement, which he painted between 1536 and 1541 on the altar wall of the Sistine Chapel in the Vatican. In the fresc [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

The Virgin and Child
Black chalk, Pencil, Grey-brown wash on dark yellow paper. 1600 - 1635
Anonymous
The Virgin and Child
Black chalk, Pencil, Grey-brown wash on dark yellow paper. 1600 - 1635
Anonymous

Dibujo en el que se representa a la Virgen sentada sobre nubes que sostiene al Niño Jesús semiarrodillado sobre su regazo. No es posible aceptar la atribución antigua del dibujo a Schedone, ya que se [+]

Jupiter and a woman standing before him
Grey-brown ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Jupiter and a woman standing before him
Grey-brown ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Although the drawing is certainly not by him, the style is indeed much indebted to Perino del Vaga ´s Genoese period and is reminiscent of G. B. Castello, ´Il Bergamasco´ (c. 1509-1569), a [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

Saint Paul
Grey wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco
Saint Paul
Grey wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco

San Pablo, de medio cuerpo y de frente, alza la cabeza, la mirada elevada al cielo y la boca entreabierta.Éste (D01373) junto a otros tres dibujos, (D01374, D01372 y D01371) son cuatro esplendidos est [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

The Good Thief, Copied from Michelangelo's Last Judgement
Pencil, Pencil ground, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo
The Good Thief, Copied from Michelangelo's Last Judgement
Pencil, Pencil ground, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo

In Michelangelo´s Last Judgement (see D1733 and D1732), the Good Thief appears at the far right, on the same level as Christ himself, and is one of the most conspicuous figures in this great, mu [+]

Pietà
Pencil on dark yellow paper. First half of the XVIII century
Anonymous
Pietà
Pencil on dark yellow paper. First half of the XVIII century
Anonymous

Cristo caído en tierra, apoya la cabeza en las rodillas de la Virgen María; a la izquierda, la Magdalena, arrodillada y llorando (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujo [+]

Satyr with a Fishing-rod Handing a Fish to a Nymph
Pencil, Grey-brown ink on yellow paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)
Satyr with a Fishing-rod Handing a Fish to a Nymph
Pencil, Grey-brown ink on yellow paper. Late XVI - Primer cuarto del siglo XVII century
Villamena, Francesco (Attributed To)

[+]

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