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In the bottom section, the tabernacle is flanked by two scenes: Saint John distributing alms in the company of an angel, and Saint John washing Christ’s feet. The middle section has an image of the Vi [+]
The Virgin appears at the right of the composition, with extended arms. At the left, Saint Mary Magdalene and Saint Catherine hand a canvas with the likeness of Saint Dominic to the kneeling monk. Thi [+]
Sánchez Cantón thought the inscription on the banner was by the artist himself and added that this may have been the design for an ex-libris or a frontispiece. The Museo del Prado’s 1857 [+]
In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]
La delicada belleza que Cano podía lograr a cualquier escala es claramente evidente en este dibujo de composición acabada. El ángel Gabriel acaba de aparecerse a la Virgen, y se ha posado en tierra co [+]
El dibujo corresponde al periodo de madurez del pintor, en el que acumulaba ya toda su larga experiencia y conocimientos como dibujante, como se desprende del inteligente uso de las aguadas, es decir, [+]
Kneeling at the left, with his left arm around the lamb, young Saint John raises his eyes to the nude Christ Child standing at his side. The scene is presented in a heart-shaped cartouche. This is a p [+]
The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]
Este hermoso dibujo acabado muestra a San José y al Niño caminando por un paisaje, con un árbol situado a la derecha, justo detrás de San José. El Niño Jesús lleva una gran cesta y San José, una vara. [+]
El motivo central de este dibujo –la Virgen con el Niño de pie- guarda una estrecha relación con la composición pintada que realizó Cano de La Virgen del Rosario de la Catedral de Málaga, finalizada e [+]
The bust of a long-haired and mustached poet dressed in a cuirass appears in an exedra with attached columns. A winged figure flies towards him carrying laurel crowns in both hands. Apollo’s chariot a [+]
De más de medio cuerpo, la Virgen sostiene con la mano izquierda al Niño, desnudo, sentado en su regazo, mientras con la derecha hace ademán de descubrirse el seno.Wethey señala su relación con los mo [+]
Un retablo imponente, de elegantes proporciones, no incluye demasiados componentes pictóricos o escultóricos, confiriendo así mayor importancia a la arquitectura y su ornamentación. En el registro inf [+]
A research published by Javier González Santos has revealed that the 19th-century inventories of the Museo del Prado accurately cited the subject of this drawing as alluding to the Holy Cross a [+]
In the upper right part, the Virgin is depicted seated on some clouds. The Child moves away from his mother towards Saint Felix, whose open arms await the little one entrusted to his care. In the lowe [+]
The Virgin is depicted in three-quarter length, slightly turned towards the left, and holding the Christ Child. A veil covers part of her head, and voluminous folds of this same garment surround her w [+]
An adolescent angel with his wings spread out is playing a trumpet. He holds it in his right hand, while the left hand rests on a cloud. The relation between this drawing and the following works: an i [+]
This drawing, probably a fragment of a finished composition for a Calvary, depicts the Virgin in a pronounced contrapposto position, looking to her right and slightly upwards, where she once saw her S [+]
