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Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo
Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo

St. Anne, the mother of the Virgin Mary, is the elderly female saint kneeling on the floor in the interior of a temple and the heavenly apparition that takes place above her head foretells her concept [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous (Copy Tempesta, Antonio)
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous (Copy Tempesta, Antonio)

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus
The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus

En la parte inferior los apóstoles se agrupan alrededor del sepulcro vacío de la Virgen, uno arrodillado en primer término alza la cabeza y otro tras él extiende los brazos. En la parte superior la Vi [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)
The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)

Dibujo de escasa calidad, posible copia de un apunte de Giandomenico Tiepolo, cuya técnica y modelos intenta reproducir de forma burda. La composición es semejante a la de un original de Giandomenico [+]

Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))
Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous (Copy Titian (Tiziano Vecellio))

The drawing is based on the central and lower left sections of Titian´s Adoration of the Trinity (La Gloria) in the Prado. [+]

Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)
Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)

The figure types, especially those of the crowd of listeners on the left are redolent of Schiavone. The handling is weak and the use of dark black ink seems to point to the work of a Netherlandish or [+]

Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio
Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio

Dibujo en el que se representa al santo atado a un tronco, con la cabeza alzada. De estilo muy próximo a Cajés, será suyo o de discípulo muy inmediato. (Texto extractado de Pérez Sánchez, A. E., Catál [+]

Chastity
Pencil, Grey wash, Grey-brown wash on yellow laid paper. 1787
Paret y Alcázar, Luis
Chastity
Pencil, Grey wash, Grey-brown wash on yellow laid paper. 1787
Paret y Alcázar, Luis

Se trata de un dibujo preparatorio para la pintura al temple que decora una de las pechinas de la Capilla de San Juan del Ramo, en la Iglesia de Santa María de Viana (Navarra) en las que Paret trabajó [+]

The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))
The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))

Although no precisely corresponding composition by Titian appears to exist, many of the elements of the design may be found in his early painting of the Madonna and Child with St. John the Baptist and [+]

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)
Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)

El dibujo presenta en el centro a la Virgen sentada con el Niño sobre sus rodillas, conversa con San José sentado a su derecha.Es posiblemente aceptable la atribución antigua a Cittadini, aunque no se [+]

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