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Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco
Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco

Es uno de los escasos dibujos conservados de Francisco Ribalta y obra importante para el conocimiento de su estilo. [+]

Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo
Saint Anne and the Immaculate Conception
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1600
Cesi, Bartolomeo

St. Anne, the mother of the Virgin Mary, is the elderly female saint kneeling on the floor in the interior of a temple and the heavenly apparition that takes place above her head foretells her concept [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia
St. John the Evangelist
Pencil, Grey-brown ink, Wash on yellow paper. Second third of the XVI century
Bertoia

Carderera probably accepted the old attribution to the Pellegrino Tibaldi (1527-1596), who had spent almost a decade in Spain at the end of his life, mostly working at El Escorial, and was an importan [+]

The Death of the Virgin
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First half of the XVII century
Anonymous
The Death of the Virgin
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First half of the XVII century
Anonymous

Dibujo en el que se representa a la Virgen en su lecho en el centro de la composición. Uno de los apóstoles se inclina hacia ella, tomándole la mano; a su alrededor, el resto de apóstoles en diferente [+]

Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso
Altarpiece of Saint John of God
Pencil, Grey-brown wash on yellow laid paper. 1653 - 1657
Cano, Alonso

In the bottom section, the tabernacle is flanked by two scenes: Saint John distributing alms in the company of an angel, and Saint John washing Christ’s feet. The middle section has an image of the Vi [+]

Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous
Biblical Personages: Detail from ''La Gloria''
Pencil, Grey wash, Grey-brown ink, White lead on dark yellow paper. XVI century
Anonymous

The drawing is based on the central and lower left sections of Titian´s Adoration of the Trinity (La Gloria) in the Prado. [+]

Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)
Saint John the Baptist Preaching in the Wilderness
Pencil, Black ink, Grey-brown ink, Wash on dark yellow paper. XVI century
Schiavone, Andrea (Attributed To)

The figure types, especially those of the crowd of listeners on the left are redolent of Schiavone. The handling is weak and the use of dark black ink seems to point to the work of a Netherlandish or [+]

Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador
Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador

Dibujo preparatorio para una pechina muy ancha, de forma trapezoidal. En él se representa a San Juan Evangelista sentado sobre una nube en actitud de escribir sobre un libro que apoya en sus rodillas, [+]

Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador
Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador

Dibujo rematado en medio punto. En él nos encontramos a la derecha, sobre dos gradas, junto a una gran columna, el magistrado en su solio. Ante él, Santa Leocadia rechaza el sacrificio, a que la invit [+]

The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous
The Immaculate Conception
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. First third of the XVIII century
Anonymous

Dibujo en el que se representa a la Virgen Inmaculada en pie, sobre el creciente de la luna, con las manos juntas y la cabeza inclinada; a su derecha, un ángel niño con espada flamígera, acosa al drag [+]

The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin
The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin

Although no precisely corresponding composition by Titian appears to exist, many of the elements of the design may be found in his early painting of the Madonna and Child with St. John the Baptist and [+]

St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)
St. John the Evangelist
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Bellini, Filippo (Attributed To)

Formerly classified as anonymous Italian. The style brings to mind some aspects of Bellini´s pen-and-wash drawings, especially the large, almost grotesque hands with stubby fingers-with only three on [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)
Rest on The Flight into Egypt
Pencil, Grey-brown wash on dark yellow paper. XVII century
Cittadini, Pier Francesco (Attributed To)

El dibujo presenta en el centro a la Virgen sentada con el Niño sobre sus rodillas, conversa con San José sentado a su derecha.Es posiblemente aceptable la atribución antigua a Cittadini, aunque no se [+]

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