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Self-portrait
Oil on panel. 1498
Dürer, Albrecht
Self-portrait
Oil on panel. 1498
Dürer, Albrecht

In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his best. He wears an open black and white doublet [+]

Adam
Oil on panel. 1507
Dürer, Albrecht
Adam
Oil on panel. 1507
Dürer, Albrecht

Dürer made this panel and its companion, Eve (P02178) upon returning from his second trip to Italy in 1505. Both works constitute an effort to synthesize what he had learned there, in search of a [+]

Eve
Oil on panel. 1507
Dürer, Albrecht
Eve
Oil on panel. 1507
Dürer, Albrecht

Like the painting of Adam (P02177), represented on a separate panel, Eve´s unstable posture, her rhythmical movements and her affected gestures are sometimes interpreted as a return to earlier models [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Dead Christ, surrounded by the Instruments of the Passion, with God the Father and the Holy Spirit
Pencil, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Although the present composition is ultimately dependent in origin on Albrecht Dürer´s great woodcut of the Trinity, a Florentine interpretation of the design is evident in the conception of the [+]

Fortune
Oil on canvas. 1636 - 1638
Rubens, Peter Paul (Workshop Of)
Fortune
Oil on canvas. 1636 - 1638
Rubens, Peter Paul (Workshop Of)

In the autumn of 1636, Peter Paul Rubens was commissioned by agents of Philip IV to produce his largest series of painted canvases to decorate the recently completed hunting lodge at El Pardo, near Ma [+]

The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso
The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso

Technical studies carried out at the Museo del Prado confirm Alonso Cano as the author of this Virgin of the Star, which belongs to the Museo del Prado but has been on loan to the Museo del Bellas Art [+]

The Glory
Oil on canvas. 1551 - 1554
Titian (Tiziano Vecellio)
The Glory
Oil on canvas. 1551 - 1554
Titian (Tiziano Vecellio)

Charles V commissioned The Glory from Titian during their meeting in Augsburg in 1550-51. The painting was completed in October 1554 and was sent to Brussels. The unusual composition, which must corre [+]

The Holy Trinity
Oil on canvas. 1577 - 1579
el Greco (Domenikos Theotokopoulos)
The Holy Trinity
Oil on canvas. 1577 - 1579
el Greco (Domenikos Theotokopoulos)

The Heavenly Father, with an Eastern Miter on his head, holds the body of Christ in his lap. The dove of the Holy Ghost appears over his head, while six young angels surround the scene. Several cherub [+]

The Veil of Saint Veronica
Oil on canvas. 1586 - 1595
el Greco (Domenikos Theotokopoulos) (And Workshop)
The Veil of Saint Veronica
Oil on canvas. 1586 - 1595
el Greco (Domenikos Theotokopoulos) (And Workshop)

El Greco executed various versions of the Holy Face on the Veil of Veronica, an iconographic motif that became very popular at the end of the Middle Ages. According to the story that developed during [+]

The Coronation of the Virgin
Oil on canvas. Ca. 1592
el Greco (Domenikos Theotokopoulos)
The Coronation of the Virgin
Oil on canvas. Ca. 1592
el Greco (Domenikos Theotokopoulos)

The Virgin Mary is crowned Queen of Heaven by God the Father and Jesus Christ at the same time. The Holy Ghost, appears above them in the form of a dove, occupying the upper vertex of a rhombus formed [+]

The Martyrdom of Saint James
Oil on canvas. Ca. 1640
Zurbarán, Francisco de
The Martyrdom of Saint James
Oil on canvas. Ca. 1640
Zurbarán, Francisco de

The apostle Saint James is shown kneeling with his hands together in prayer, offering his neck up to the sword of the executioner whoprepares to decapitate him. Standing before the apostle, wearing a [+]

The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de
The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de

These works (P7948 and P944) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de
The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de

These works (P944 and P7948) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

The Adoration of the Shepherds
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Shepherds
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Shepherds and The Adoration of the Magi-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

Christ, Man of Sorrows
Oil on panel. 1566
Morales, Luis de
Christ, Man of Sorrows
Oil on panel. 1566
Morales, Luis de

Like The Virgin and Child with a Spindle (P07864), this panel formed part of the altar of St Anne in Badajoz Cathedral, commissioned by the bishop of the time, Juan de Ribera (1532-1611). It is really [+]

Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de
Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de

In this image of Christ embracing the Cross, all of the elements converge to communicate suffering, sacrifice and resignation. In contrast to much visual iconography of the Passion, the Cross is repre [+]

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