The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
8 results
Saint Augustine meditating on the Trinity
Oil on canvas. XVII century
Anonymous
Saint Augustine meditating on the Trinity
Oil on canvas. XVII century
Anonymous

The Nativity
Oil on panel. 1490
Osona, Rodrigo de; Osona, Francisco de
The Nativity
Oil on panel. 1490
Osona, Rodrigo de; Osona, Francisco de

The Virgin Mary and Saint Joseph kneel in prayer beside the newborn Jesus. They are accompanied by three angels who arrange the Child´s swaddling clothes. Three Shepherds look in from outside the ruins of the doorway. An ox and a mule occupy the background. The idyllic landscape and the architecture typical of northern European cities, as well as the composition, bluish-grey color scheme and hiera

The Adoration of the Magi
Oil on panel. 1490
Osona, Rodrigo de; Osona, Francisco de
The Adoration of the Magi
Oil on panel. 1490
Osona, Rodrigo de; Osona, Francisco de

The Virgin Mary sits beside Saint Joseph, holding the newborn Jesus in her lap, while king Melchior kisses the baby´s foot and Casper and Balthasar place their presents on a tray. The idyllic landscape and the architecture typical of northern European cities, as well as the composition, bluish-grey color scheme and hieratic figures clothed in robes with stiff folds, recall the Spanish-Flemish styl

Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen
Christ as the Man of Sorrows
Oil on panel. 1525 - 1550
Isenbrandt, Adriaen

Wearing the crown of thorns, Jesus sits on Golgotha with his hands tied to the cross. The path to Calvary is visible in the left middle ground at the gates of Jerusalem. On the right, the followers approach mount Calvary in the background, where the crosses of Christ and of the two thieves stand. In this work, Isenbrant separates the story of the crucifixion from that of the Passion of Christ, whi

The Virgin with Saints
Oil on canvas. XVII century
Bocanegra, Pedro Atanasio
The Virgin with Saints
Oil on canvas. XVII century
Bocanegra, Pedro Atanasio

Leopoldo de Gregorio, Marquis of Esquilache
Oil on canvas. 1759
Bonito, Giuseppe
Leopoldo de Gregorio, Marquis of Esquilache
Oil on canvas. 1759
Bonito, Giuseppe

This refined portrait is the only one known to date of the Marquis of Esquilache (1699-1785). He accompanied Charles III to Madrid and was appointed Minister of the Treasury. The inkwell and staff of office allude to his many Neapolitan titles, while the letter destined Alla sua maestà delle due Sicilie points to his links with the King.

The Flight to Egypt
Oil on canvas. 1697
Castro, Manuel de
The Flight to Egypt
Oil on canvas. 1697
Castro, Manuel de

In this Flight to Egypt, Manuel de Castro reveals his affinity for human types drawn from Maratti, although the Virgin’s physical prototype is similar to both Coello´s and Maratti´s, with a well-defined profile, straight nose and wide forehead. The pictorial treatment is also more linear.

Clock
Marble, Gilt-bronze, Copper alloy, Wood. 1867
Détrier, Pierre-Louis; Delaistre
Clock
Marble, Gilt-bronze, Copper alloy, Wood. 1867
Détrier, Pierre-Louis; Delaistre

Firmado y fechado en una pata de la silla de la figura superior: "L. Detrier 1867"; en la esfera, arriba: "Delaistre"; abajo, semiborrado "Dames/ilegible".

Up