A Flemish painter and drawer, he was the head of the family of painters bearing the same surname. Just as his two sons, Ludovicus and Pieter the Younger, he specialised in the depiction of building interiors, particularly churches. There is limited corroborated information on Pieter the Elder. It is assumed that he was born in Antwerp around 1576, where his family lived. The influence of Hendrick van Steenwijck in his work suggests that he trained with this artist, and thanks to whom, he must have become acquainted with the studies in perspective of Vredeman de Vries, who had such a great impact on the master. Around 1609 or 1610, he entered the painters’ Guild of Saint Luke and, from then onwards, his interest in depicting Gothic church interiors using stereotyped models became apparent. Some of these churches could not be identified (Gemaldegalerie Alte Meister, Dresden) because they are imaginary. Nevertheless, in many cases, they depict the interior of St. Paul’s Church in Antwerp (Rijksmuseum, Amsterdam). The soft colour schemes and sophisticated transitions between the spaces of light and shadow are the main characteristics of his style. There is no documentary evidence of his exact date of death, but it must be between 1656, the last year for which records of him dated, and 1661, when Cornelis de Bie mentions him in the past tense in his book Het gulden cabinet (Antwerp, 1661) (Pérez Preciado, J. J. in: E.M.N.P, 2006, tomo V, p. 1621).