Inventory number
P03090
Author
Reni, Guido
Title
Hippomenes and Atalanta
Chronology
1618-1619
Technique
Oil
Support
Canvas
Dimensions
206 cm x 297 cm
School
Italian
Theme
Mythology
On display
Yes
Provenance
Colección Real (Real Alcázar, Madrid, galería del Cierzo, 1700, nº 176; Palacio Real Nuevo, Madrid, primera sala de la Furriera, 1747, nº 94; Palacio Real Nuevo, Madrid, estudio de Andrés de la Calleja, 1772, nº 94; Casa de Rebeque, Madrid, 1794, nº 94; Academia, Madrid, sala reservada, 1827, s. n.).

Inspired by Ovid's Metamorphoses, this key work in Reni's oeuvre tells the story of Atalanta, the daughter of Schoeneus, king of Arcadia. Seeking a husband, she offered to marrie anyone able to outrun her in a race. Suitors unable to do so, however, would be killed. Hippomenes was enamored of her and thus accepted the challenge with the help of Venus, who gave him three golden apples. He was supposed to drop these, one at a time, in order to distract Atalanta and thus win the race.

This work sums up the classical interpretation of ideal, elegantly proportioned beauty that was characteristic of Roman and Bolognese classicism.

The colors are cold and artificial, and only the dark, neutral background recall Reni's initial training in Caravaggio's style.

This painting belonged to the Marquis of Serra and was acquired in 1664 by the Count of Peñaranda for King Felipe IV (1605-1665). Another version, of lesser quality, is at the Museo di Capodimonte in Naples.

 
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