The Triumph of the Eucharist over Idolatry
Anterior
Image 1 of 2
Siguiente
Inventory number
P01699
Author
Rubens, Peter Paul (Flemish)
Title
The Triumph of the Eucharist over Idolatry
Chronology
1625-1626
Technique
Óleo
Support
Tabla
Dimensions
65 cm x 91 cm
School
Flamenca
Theme
Alegoría
On display
No
Provenance
Colección VII marqués del Carpio, 1677; Colección Real (adquisición de Carlos II, 1689; Casa de Campo, Madrid, galería del jardín, pieza oscura que sale a la escalera y alcoba de su majestad, 1701, nº 22, 23 y 77; Palacio Real Nuevo, Madrid, pieza del oratorio, 1794, nº 966; Palacio Real, Madrid, pieza de oratorio y dormitorio de príncipes-pieza quinta, 1814-1818, nº 966).

This work is part of a set of cartoons that Rubens painted for a series of seventeen tapestries that Isabel Clara Eugenia donated to the Monastery of las Descalzas Reales in Madrid in 1628.

The set sought to emphasize the value of the Eucharist as the basis for the triumph of Catholicism, an idea linked to the strong current of the Counterreformation reigning in Flanders during the early decades of the seventeenth century. The tapestries were woven by masters in Brussels and were used in celebrations of Corpus Christi.

In these sketches, Rubens created scenes framed by powerful Baroque architecture with numerous wreathed columns. On occasions, he also used architectural models drawn from Giulio Romano, including ringed columns. This was his way of pursuing the idea of total artistic representation, combining architecture, painting and tapestry making. At the same time, he engaged in the quintessentially Baroque game of confusing reality and art.

The plots of these works concern religions concepts dominated by the triumph of some of the main values defended by the Church after the Council of Trent. The image of Isabel Clara Eugenia is exalted as a protector of Cathlicism, as is clear in the use of her portrait for the image of Saint Claire, among the Fathers of the Church.

During the seventeenth century, these panels belonged to Luis de Haro. The entered the Royal Collection when his son, the Marquis of El Carpio, died.

 
Ministerio de Cultura. Gobierno de España; abre en ventana nueva
España es cultura Spain is culture
Copyright © 2014 Museo Nacional del Prado.
Calle Ruiz de Alarcón 23
Madrid 28014
Tel. +34 91 330 2800.
All rights reserved