2 hours in the Museum
- Inventory number
- Rubens, Peter Paul
- The Three Graces
- Wooden Panel
- 220,5 cm x 182 cm
- On display
- Colección Real (Real Alcázar, Madrid, pieza de la galeria baja que cae sobre el jardin, 1666, nº 688; Real Alcázar, "Bobedas" del Ticiano, 1686, s.n.; Real Alcázar, bóvedas de Tiziano, 1701-1703, nº 483; Palacio Nuevo, Madrid, primera sala de la Furriera, 1747, nº 96; Palacio Nuevo, Estudio de Andrés de la Calleja, 1772, nº 96; Casa de Rebeque, Madrid, 1794, nº 96; Pinturas que posee la Real Academia de Bellas Artes de San Fernando, Madrid, 1796-1805, nº 50; Real Academia de Bellas Artes de San Fernando, sala reservada, 1827, nº 50; Museo Real de Pinturas a la muerte de Fernando VII, Madrid, Sala Reservada, 1834, nº 65)
According to Hesiod’s Theogony, there were three Graces: Aglaia, which means radiance; Euphrosine, which means joy; and Thalia, which means flowering. Born of one of Zeus’s affairs, the three Graces were pure virgins who lived with the gods, served at the banquets and fostered joie de vivre. They served Aphrodite, the goddess of love, and were never bored.
Rubens depicts them beside a fountain, under a garland of flowers in a landscape. The figures are based on classical sculpture, which is visible in the artist’s effort to reproduce the coldness of marble in their flesh. The circular rhythm and elegant undulation are customary characteristics of this artist, along with the grandiloquent shapes and warm colors he brought into his painting in his final years.
The figure on the left is directly inspired by his second wife, Hélène Forment. Painted shortly after his marriage, it bears witness to the happiness of the artist’s life, which emerges in the sensuality of his paintings from that moment. This work belonged to the artist until his death in 1640 and was then acquired by Felipe IV and taken to Spain.