The Museo del Prado today took the decision to increase its opening hours to every day of the week in order to improve and expand its cultural activities and thus guarantee its commitment to covering 60% of its budget through self-financing. This new initiative starts with the exhibition 'The Hermitage in the Prado', which will be open every day of the week, from Mondays to Sundays, from the day it opens on 8 November. The Museum’s Permanent Collection will also have new opening hours from 16 January.
As of today, the Prado is the first Spanish and the third European museum to be present on this American portal created by one of the world’s most advanced museums in the application of the new technologies to the dissemination of art, the Indianapolis Museum of Art (IMA). The content of the portal, launched in 2009, solely focuses on videos generated by museums and art institutions for online diffusion. ArtBabble won the 'Best of the Web Prize' (general category) at the 2010 Museums and the Web conference
One of the most important collections of miniatures in any Spanish museum
The Museo del Prado pays tribute to its visitors through the work of the Italian artist Francesco Jodice
From 5 October 2011 to 8 January 2012 The Prado by Francesco Jodice will present visitors with a visual testimony to the presence of those who, like them, have 'inhabited' its galleries. Through the disinterested participation of more than 400 visitors from all over the world, Francesco Jodice (born Naples, 1967) has created two works – a video-installation and a five-minute film – that will be shown at the Prado in a tribute to its visitors. The project by this highly regarded Italian artist has been made possible through the generous sponsorship of ACCIONA, a Benefactor Member of the Museo del Prado since 2007.
Through to an agreement with the Fundación Selgas-Fagalde in Asturias The Museo del Prado will be exhibiting Goya’s first documented painting for a period of six years
The victorious Hannibal, which belongs to the Fundación Selgas-Fagalde, will be on deposit with the Prado for six years, as established in the agreement signed by the two institutions today. As a result, the Museum will be able to compensate, at least temporarily, for one of the gaps in its own collection of the artist’s works, which is the most important in the world. The painting will be on display in Room 35 from tomorrow, together with various related sketches in the artist’s Italian Notebook
The Prado is exhibiting one of the most important works from Picasso’s Rose Period, loaned from the Pushkin Museum in Moscow
Acrobat with a Ball will be on display for three months (16 September to 18 December 2011) within the Prado’s 'Invited Work' programme, which is sponsored by the Fundación Amigos del Museo and also includes Caravaggio’s Entombment loaned from the Vatican Museums and on display until this Sunday.
The Museo del Prado is displaying Caravaggio’s Entombment of Christ, a masterpiece loaned from the Vatican Museums
To coincide with the celebration of World Youth Day and with Pope Benedict XVI’s visit to Madrid, the Museo del Prado will be displaying The Entombment of Christ, a major masterpiece by Caravaggio loaned from the Vatican Museums. For the first time in Spain, this monumental canvas will be exhibited for two months at the Prado thanks to sponsorship from the Fundación Amigos del Museo del Prado and as part of the “Invited Work” exhibition programme. This exceptional loan is also part of the thematic tour entitled “The Word made Image. Paintings of Christ in the Museo del Prado” that the Museum has devised in conjunction with World Youth Day and which includes a further thirteen paintings.
The Prado has completed its presentation of the fascinating dialogue between Velázquez and the great Old Masters that articulates its new hanging
The Museo del Prado today presented one of the most important features within its plan to reorganize the collection, a project known as 'The Collection. The second extension'. This is the reopening of the Central Gallery on the main floor following its redesign and with significant changes to the arrangement of the works on display. With the completion of this phase of the 2009-2012 Collection Plan, initiated following the almost complete restoration and reordering of the ground floor, the Collection is now presented in a new manner on the Museum's two main floors, with Velázquez located at the heart of the two great traditions of European painting: the Italian and Flemish schools. To date, work on this project has meant that 25 more galleries have become available for display purposes, with 11 more to be added on the second floor by the completion of the project. Through the addition of these new spaces, an additional 300 works from the Museum's Permanent Collection can now be seen.
Featuring more than one hundred works, the exhibition ROME. Nature and the Ideal. Landscapes 1600-1650 opens at the Museo del Prado after its showing at the Grand Palais in Paris, thanks to the support of the Comunidad de Madrid. The exhibition is one of the Prado’s most ambitious projects to date and has involved the participation of more than 45 lenders with the aim of assembling the most important group of landscapes ever to be seen. For the first time this exhibition analyses the birth and development of the genre of landscape painting up to the period coinciding with the peak of its achievement. It includes the work of all the leading names in this field and is set within the context of the city of Rome at the height of its splendour. The result is a group of masterpieces that covers all the sub-genres and themes devised by these leading painters. Among the figures represented in the exhibition are Annibale Carracci, the father of landscape painting; Claude Lorrain and
Patrimonio Nacional and the Museo del Prado to collaborate on the study and restoration of The Crucifixion by Rogier van der Weyden
Patrimonio Nacional and the Museo del Prado today signed a collaborative agreement in which the Museum will restore The Crucifixion by Rogier van der Weyden. Work on this masterpiece of 15th-century Flemish painting, which is particularly closely linked to the history of Spain and its monarchy, will be undertaken as part of the Museum’s restoration programme, sponsored by Fundación Iberdrola