The Museo del Prado is extending its major exhibition The Hermitage in the Prado for a further two weeks
Mikhail Piotrovsky, Director of the State Hermitage Museum, today confirmed his authorisation for the extension of the exhibition The Hermitage in the Prado, co-organised with Acción Cultural Española (AC/E) and sponsored by Fundación BBVA. During a visit to Madrid this week, Mr Piotrovsky generously agreed to the Prado’s proposal, which will allow many more visitors to see the exhibition in the light of the continuing demand for tickets and the fact that an increased number of visitors is expected during Easter Week.
The Museo del Prado is presenting the conclusions of the technical study and restoration of its version of La Gioconda
The painting is on display from today until 13 March in Room 49 of the Museum before it travels to the Louvre for inclusion in a temporary exhibition. The principal conclusion of the recent restoration and study of the work lies in its identification as a work by Leonardo’s studio, painted at the same time as the original. Comparison of technical documentation on the two works, the copy and the original, has revealed the successive phases in the creation of Leonardo’s Gioconda (Musée du Louvre) and has allowed for a better understanding of that painting
At the meeting of the Prado’s Royal Board of Trustees held yesterday and attended by the Minister of Education, Culture and Sport, José Ignacio Wert, the Board was given important news relating to the Museum’s activities in the field of restoration, which are sponsored by Fundación Iberdrola. This is the discovery that the copy of Leonardo da Vinci’s painting the Mona Lisa, the original of which is in the Louvre, was painted by a pupil or follower of the artist at around the same time as the original. The importance of this discovery, which was made during the study and restoration of the painting at the Prado for its inclusion in the exhibition at the Louvre on Leonardo that opens on 29 March, lies
The Prado is temporarily exhibiting a new selection of its 19th-century paintings in the Museum’s “collections presentation gallery”. This space has been designed to show rotating displays of works from that century not normally on display and selected from among its extensive holdings in virtue of their interest and quality. Thanks to the decision to create this temporary exhibition space, the Museum has now been able to display an outstanding group of religious compositions by Spanish artists working in Rome in the mid-19th century, a period when religious painting in Europe was inspired by the recent archaeological discoveries of the tombs of the early Christian martyrs in the catacombs.
Telefónica renews its commitment as Benefactor sponsor of the Museo del Prado, coinciding with the start of the new 7-days-a-week opening hours
The Spanish telephone company led by César Alierta today renewed its commitment to continue as a Benefactor of the Prado’s Visitor Attention Programme during the first event at the institution attended by the new Minister of Education, Culture and Sport, José Ignacio Wert. Mr Wert’s presence was intended to emphasise his awareness of the importance of the support given to the world of culture by civil society. In addition, the Minister was present on the first day of the Museum’s new 7-days-a-week opening hours.
The Museo del Prado ended 2011 with a total of 2,911,767 visitors, plus the exceptional 863,957 visitors who attended the two exhibitions within its International Prado programme, held in Saint Petersburg (The Prado in the Hermitage, 25 February to 29 May 2011) and in Tokyo (Goya. Light and Shade, 22 October 2011 to 29 January 2012).
The Prado is exhibiting for the first time The Wine of Saint Martin's Day by Pieter Bruegel the Elder
This unique painting by Pieter Bruegel the Elder, acquired by the Museo del Prado in late 2010 through exceptional funding from the Spanish Ministry of Culture, is now on display at the Museum following a lengthy and complex process of restoration. After the attribution to the artist was fully confirmed during the preliminary study undertaken in the Museum's restoration studios prior to its acquisition, The Wine of Saint Martin's Day underwent the most challenging and complex part of its restoration. This procedure was funded by Fundación Iberdrola in its capacity as Protector Member of the Museum's restoration programme. In order to highlight the importance of this acquisition as well as the delicate restoration carried out in order to stabilise the painting and recover its original textures and colours, the Prado is now presenting it separately in a special
Velázquez’s equestrian portraits of Philip III and Margaret of Austria regain their quality and original composition
These two celebrated paintings by the great Sevilian master are now on display in the Museum’s Basilical Gallery (which houses Las Meninas) with all their painterly qualities fully restored and without the 18th-century additions that distorted the compositions and negatively affected a visual comprehension of the series of which they were originally part together with the three other famous equestrian portraits by the artist, also on display in this gallery. In addition, the sculpture of The sleeping Ariadne (2nd century AD), which is a Roman variant of a 2nd century BC Greek sculpture, is once again on display following its restoration and the remodelling of the unique space known as the “Ariadne Rotunda” in which it has traditionally been shown
The next Chair of the Museo del Prado, directed by the prestigious American hispanist Jonathan Brown and sponsored by Fundación Mutua Madrileña, will be held between May and October 2012 with the title Golden Age Painting: personal perspectives. Professor Brown, whose career was once again recognised today at the Museum with the award of a prize by the Fundación Consejo de España-EEUU, took advantage of his trip to Madrid to outline the principal subjects to be covered by the lectures and seminars that will constitute this new Chair. Applications for enrolment and grants can now be made to the Museum.
The Fundación Amigos del Museo del Prado (FAMP) has donated an important work to the Museum by Antonio Joli, a leading Modena-born painter of the 18th century. View of Queen Maria Amalia of Saxony at the Arch of Trajan in Benevento will be on display from today until 26 February at the Museum alongside a small group of paintings from the Prado’s collection by the artist and his artistic predecessors. This display will also include a group of etchings, including two loaned from the Biblioteca Histórica of the Universidad Complutense, Madrid. Together, these works will locate Joli’s painting in its historical and artistic context.