The Museo del Prado has extended the major exhibition The Young Van Dyck for an additional month

    The Museum is also offering visitors the chance to see the exhibition Closed Triptychs. From grisaille to colour for a further three months, until 1 April. These two exhibitions conclude the Prado’s 2012 exhibition programme and this March sees the start of the exhibitions El Labrador and The Spanish Line in the British Museum. Drawings from the Renaissance to Goya.

    Monday 21 January 2013

    Thanks to the generosity of the institutions and private collectors who have loaned their works, the Museum is extending the exhibition The Young Van Dyck for a further month. Sponsored by Fundación BBVA, it can now be seen until 31 March. Described by Robin Blake, author of a biography of the artist, as “excellent” in his article published in The Financial Times on 23 November, this exhibition on Van Dyck’s early output is one of the most important to have been devoted to the artist world-wide and the first in Spain to focus entirely on his paintings and drawings. The exhibition includes more than 90 paintings and drawings, all dating from the early period of this Flemish artist’s career, specifically between 1615, when Van Dyck was only 16 (the exhibition opens with his exquisite Self-portrait at this age), and October 1621 when he moved from his native Antwerp to Italy.

    During the approximately six years that Van Dyck spent in Antwerp, until the age of 22, he executed more than 160 paintings, including portraits and medium-size works as well as more than 30 ambitious, large-format compositions. His close relations with Rubens, to whom he acted as assistant, give rise to some of the most interesting art-historical issues of this period of his career: why, for example, did Van Dyck create some works that were intended to resemble his master’s as closely as possible, but then distance himself in others, giving his figures a naturalistic appearance that is remote from Rubens’s idealisation? The exhibition focuses on such questions and also reveals the remarkably precocious talent of this brilliant artist who would subsequently become one of the most influential portraitists within the history of European art.

    In addition, visitors to the Museum will now have longer to enjoy Closed Triptychs in the Museo del Prado. From grisaille to colour, which has been extended until 1 April. This is a didactic exhibition that presents life-size photographs of the little known images on the reverse of some of the Museum’s Flemish triptychs and panels, which are normally displayed open. It thus offers a unique opportunity to discover hidden aspects of these triptychs and of other works by Early Netherlandish painters such as the Van Eycks, Campin and Van der Weyden.

    Displayed alongside the photographs are information panels that include photographs of the triptychs when open and an indication of their location in the galleries of the permanent collection.

     
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