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Research
Reports
The Wine of Saint Martin’s Day
. Pieter Bruegel the Elder
The Wine of Saint Martin’s Day
. Pieter Bruegel the Elder
The evolution of preparations for painting on canvas in sixteenth and seventeeth century Spain
Study of the Prado Museum's copy of
La Gioconda
Technical analysis
Chemical analysis
Materials
Comparative analysis
Conclusions
Bibliography
Credits and acknowledgements
Technical and restoration study on the collection of Miniatures in the Museo del Prado
Miniatures on ivory
The birth of the technique
Support, ivory panels
The paint layer
Frames
State of preservation
Old restoration
Restoration of the collection
Conclusion
The Wine of Saint Martin’s Day
. Pieter Bruegel the Elder
I. Introduction: Pieter Bruegel the Elder
II. The subject of
The Wine of Saint Martin’s Day
III. The identification of the painting
IV. Technique and state of conservation
V. Restoration
VI. The painting’s provenance (Gonzaga (?), Medinaceli)
VII. Conclusion
Technical and documentary report
The Wine of Saint Martin’s Day
Pieter Bruegel the Elder
Glue-size tempera on linen, 148 x 270.5cm. Ca.1565-1568
Signed at the lower left below the inventory number “31”:
"[… ] BRVEGEL/ M •D•L[… ]"
The Wine of Saint Martin’s Day
. Pieter Bruegel the Elder
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