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- The Restoration of Nero and Seneca by Eduardo Barrón
- Technical Study
- Materials used and old restorations
Materials used and old restorations
- Restoration, of The Agony in the Garden with the Donor, Louis d’Orléans (1405-1408)
- Restoration, of The Wine of Saint Martin’s Day by Pieter Bruegel the Elder
- The Restoration of the two Equestrian Portraits by Velázquez
- Restoration of Ariadna
- The Restoration of Nero and Seneca by Eduardo Barrón
- The Restoration of Adam and Eve, by Dürer
- The Restoration of Philip II on Horseback by Rubens
- The Restoration of The Adoration of the Shepherds by Pietro da Cortona
- The Restoration of The Soult Immaculate Conception by Bartolomé Esteban Murillo
- The Restoration of The Purification of the Virgin in the Temple by Pedro de Campaña
- The Restoration of the 2nd and 3rd of May
The group is executed in plaster which, according to images obtained using an electronic sweeping microscope, consists of two layers of a different texture, the upper layer more compact than the lower one.
The most unstable areas of the greatest structural complexity were studied using x-rays, which provided information on the different internal structures (pins, nails, screws, wire) present in the work, its state of preservation and the original process of creation.
Through the micro-samples analysed it has been possible to identify areas of different materials that were subsequently applied during previous restorations, such as bees’ wax, synthetic acrylic resins, micro-crystalline wax and animal size, all applied in specific zones. This information has been used to determine the materials required for cleaning the work.
















