The myth of Danae tells how Acrisius, King of Argos and father of Danae, consulted an oracle who foretold his death at the hands of his grandson. In order to avoid this, he locked Danae in a tower, which failed to prevent Zeus from possessing her in the form of golden rain.

Titian had approached this subject years earlier (naples, Capodimonte Museum), and the similarities between the two paintings are obvious, but so are the differences. The Prado Museum's Danae, with its less clear profiles and looser brushstrokes, surpasses the Neapolitan work in sensuality.

For Felipe II, Titian painted a series of works known as “Poetry” based on classical texts, mainly Ovid's Metamorphosis. Two of them —Danae and Venus and Adonis (P422)— are in the Prado Museum. Other works in this series include Diana and Acteon, Diana and Calixto (both at the National Gallery in Edinburgh), The Rape of Europe (Isabella Stewart Gardner Museum, Boston) and Perseus and Andromeda (The Wallace Collection, London). Titian himself chose the subject matter for these works, which he called “Poetry” and, beyond symbolic or moral interpretations, they were conceived as paintings to delight the senses.

The “Poetry” paintings appear in the inventories of Madrid's Alcázar Palace beginning in 1623. They entered the Prado Museum collection in 1827.

Listen to the audioguide