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Italian engraver and editor [+]
Together with his brother Giovan Pietro, Luini was the perpetuator of the style of their father, the Milanese painter, Bernardino Luini (c. 1480/85-1532), whose premature death left his frescoes in S. [+]
Veronese was trained in his native Verona by a local painter, Antonio Badile (1518-1560), and then by Giovanni Caroto (1488-1563/66). The influence of both these masters appears in his earliest indepe [+]
Prolific frescoist and draftsman; it is probable that Gambara trained in the Campi workshop at Cremona, before returning to Brescia in 1549. There, he became an assistant to Gerolamo Romanino (1484/87 [+]
He was first taught in his native Arezzo by the little-known French glass painter and fresco painter, Guillaume de Marcillat (1475-1529 or 1537). By 1524, he had moved to Florence, where he worked for [+]
In his biography of Tintoretto Carlo Ridolfi recounts the painter’s fleeting stay at Titian’s studio. But despite the unquestionable authority of this narrative, Tintoretto’s early works bear little r [+]
Daughter and follower of Jacopo Robusti Tintoretto, she was known in her time as "buona ritrattista" ("a good portrait painter"), both in Venice and abroad. As with her brother Marco, there is no clea [+]
A student of Luca Cambiaso (1527-85) from around the late 1560s, they both moved to Spain in 1583, when the master accepted an invitation to work for Philip II. Although Cambiaso died shortly thereaft [+]
Siciolante became an assistant to Perino del Vaga (1501-1547) following a probable apprenticeship with Leonardo Grazia da Pistoia (active in 1520-1550). His earliest certain surviving work -an altarpi [+]
At the age of ten, Alonso Sánchez Coello moved with his family to Portugal, where he began his first art studies. John III, king of Portugal, was aware of his talent and in 1550 he paid the young arti [+]
Born around the end of the second decade of the 16th century, Anthony More trained with the Romanist painter Jan van Scorel, a prominent portraitist and excellent connoisseur of the Italian cultural s [+]
He was apprenticed in 1488 in the workshop of the painter Domenico Ghirlandaio (1448/9-1494) in Florence. The following year he joined the academy of young sculptors in the Medici garden where he prob [+]
His stay in Italy was already documented in 1517, when he signed The Virgin and the Souls of Purgatory (Museo del Prado). This work's style has led him to be related with Raphael's workshop, especiall [+]
Luca Cambiaso was the most celebrated Mannerist painter of the Genoese school, and the inventor of many large-scale fresco decorations in both palaces and churches in the city. As a draftsman, he is c [+]