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Brusasorci probably began training in the workshop of his father, Agostino Brusasorci (1482-1555), before subsequently studying under Gian Francesco Caroto (c. 1480-c. 1555). Some time after 1543 he f [+]
Samacchini trained under Pellegrino Tibaldi (1527-1596), but his early work was influenced primarily by such artists as Raphael (1483-1520) and Prospero Fontana (1512-1597), as is detectable in the Ma [+]
Monrealese trained first with his father, Pietro Antonio Novell (1568-1625), and subsequently, in 1618, with Vito Carrera (1555-1623) in Palermo. His earliest dated work, painted in 1626, depicts St. [+]
He was first taught in his native Arezzo by the little-known French glass painter and fresco painter, Guillaume de Marcillat (1475-1529 or 1537). By 1524, he had moved to Florence, where he worked for [+]
At the age of ten, Alonso Sánchez Coello moved with his family to Portugal, where he began his first art studies. John III, king of Portugal, was aware of his talent and in 1550 he paid the young arti [+]
His earliest documented painting, St. Martin and the Beggar (1552), was commissioned by Cardinal Ercole Gonzaga for Mantua cathedral, which had recently been reconstructed by Giulio Romano (c. 1499-15 [+]
Cesi was born into a wealthy family and received a humanist education before he studied painting. Little is known of his training, which was probably under Giovanni Francesco Bezzi (c. 1500-1571), and [+]
Annibale was probably trained by his elder cousin, Ludovico Carracci (1555-1619), as well as by Bartolomeo Passarotti (1529-1592). In 1582, he and other family members established an academy for the s [+]