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Snyders is one of the 17th-century Flemish painters of highest repute, both for his still lifes and for his hunting scenes, and was very well known and appreciated, particularly in Spain. Considering [+]
Giuseppe Cesari's mother, aware of her son's precocious ability in drawing, took him to Rome when he was only about thirteen years old. Here he entered the workshop of Niccolò Circignani (1517/24-befo [+]
Boscoli was a prolific draftsman. A student in the school of Santi di Tito (1536-1602), much of his knowledge was, however, self-taught. Time spent in Rome -probably early in the 1580s- enabled him to [+]
A student of Luca Cambiaso (1527-85) from around the late 1560s, they both moved to Spain in 1583, when the master accepted an invitation to work for Philip II. Although Cambiaso died shortly thereaft [+]
Little is known of this important artist's life. He must have been active primarily in Toledo, where some of his contracts for work around that city are known, and where contemporaneous sources speak [+]
Together with his brother Giovan Pietro, Luini was the perpetuator of the style of their father, the Milanese painter, Bernardino Luini (c. 1480/85-1532), whose premature death left his frescoes in S. [+]
The artist was born in a small town in the Duchy of Lorraine, an independent territory in the Germanic Holy Roman Empire, a century and a half before it became part of France. A baker's son, he is doc [+]
A considerably long-lived and prolific artist, Jordaens is the third of the Flemish great masters of the 17th century. He trained in his city of birth with Adan van Noort. Unlike Rubens and Van Dyck h [+]
This Italian painter learned art from her father, the artist Orazio Gentileschi, whose influence is particularly evident in her early works. Following a period in Florence (1614-1620), se settled in R [+]
Castello was taught by Andrea Semino (c. 1526-1594) and subsequently by Luca Cambiaso (1527-1585); when the latter artist moved to Madrid in 1583, Castello emerged as one of Genoa’s leading painters. [+]
Of this Italian painter, sculptor and architect, Ceán Bermúdez observed: "Few painters from Italy have been as useful for the fine arts in Spain as Carducho." And indeed, he is a key figure for unders [+]
Born to a family of extraordinary painters, he was the son of Pieter Brueghel the Elder and the brother of Jan Brueghel de Velours. Both he and Jan were trained by their father, and learned watercolor [+]
He received his training from Adam van Noort and Martin de Vos. In 1592–1593, he entered the Guild of Saint Luke as a master in the city of Antwerp. Shortly afterwards, he travelled to Italy where he [+]
A Flemish painter, he was active from at least 1593, when documentary evidence confirms his participation in the decoration of the Garnier family monument in the Church of Our Blessed Lady of the Sabl [+]