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Boscoli was a prolific draftsman. A student in the school of Santi di Tito (1536-1602), much of his knowledge was, however, self-taught. Time spent in Rome -probably early in the 1580s- enabled him to [+]
Very little is known about this painter who worked mainly as a portraitist. His first known mention dates from 1597 and links him to Madrid and to Juan Pantoja de la Cruz, with whom he had special con [+]
A Netherlander by birth, Candid moved to Florence with his father, the bronze-caster Elias de Witte, when he was about ten years old. Biographical details are provided by Karel van Mander (1548-1606), [+]
One of the most outstanding representatives of painting from Toledo during the early 17th-century, an especially fertile period for that city. The earliest mention of Tristán links him to Toledo's mos [+]
No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints [+]
His style suggests that he learned to paint in Italy, although there is no documentation of his presence in that country. In 1598 he worked in Valladolid, collaborating on the funeral monument to comm [+]
This artist of Catalan origin received his early training in El Escorial, where he was surrounded by Spanish and Italian artists and their works and was able to follow their most significant innovatio [+]
The artistic tradition associated with Valladolid -which had reached such a high level in the 16th century- and the fact that it was the Spanish monarchy's favorite city between 1601 and 1606, was res [+]
His earliest documented painting, St. Martin and the Beggar (1552), was commissioned by Cardinal Ercole Gonzaga for Mantua cathedral, which had recently been reconstructed by Giulio Romano (c. 1499-15 [+]
Of this Italian painter, sculptor and architect, Ceán Bermúdez observed: "Few painters from Italy have been as useful for the fine arts in Spain as Carducho." And indeed, he is a key figure for unders [+]
A student of the Florentine painters Alessandro Allori (1535-1607) and Santi di Tito (1536-1602), and of the architect Bernardo Buontalenti (1536-1608). During the early 1580s Cigoli painted two lunet [+]
Brusasorci probably began training in the workshop of his father, Agostino Brusasorci (1482-1555), before subsequently studying under Gian Francesco Caroto (c. 1480-c. 1555). Some time after 1543 he f [+]
Born to a family of extraordinary artists, he was the son of Pieter Brueghel the Elder and grandson of Pieter Coecke and Mayken Verhulst Bessermers. Tradition has it that she was his first teacher, as [+]