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A student of the architect Bernardo Buontalenti (c. 1531-1608) and of Cigoli (1559-1613), together with the latter, he frescoed the dome of the Pauline Chapel in S. Maria Maggiore, Rome, c. 1610-1612. [+]
A Netherlander by birth, Candid moved to Florence with his father, the bronze-caster Elias de Witte, when he was about ten years old. Biographical details are provided by Karel van Mander (1548-1606), [+]
Snyders is one of the 17th-century Flemish painters of highest repute, both for his still lifes and for his hunting scenes, and was very well known and appreciated, particularly in Spain. Considering [+]
No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints [+]
Because all the information that we have on Clara Peeters comes from her paintings, we have to content ourselves with trying to piece together a limited biography. Her first picture dates from 1607. H [+]
He studied in Florence under Girolamo Macchietti (1535-1592) and Giovanni Battista Naldini (c. 1537-1591), but his principal master was Federico Zuccaro (1540/41-1609), whit whom he worked from 1575 t [+]
A painter of religious works, still lifes and some frescoes, Juan Pantoja de la Cruz began his career as a portraitist during the reign of Philip II after collaborating with Alonso Sánchez Coello in t [+]
Working with his father, Leone Leoni, on all his pieces, Italian sculptor Pompeo Leoni was able to create a workshop in Madrid and to undertake projects beside the El Escorial altarpiece that obliged [+]
This Spanish painter was a disciple of Patricio Cajés in Valladolid, and of Juan Pantoja de la Cruz, whom he succeeded to the post of royal painter along with Rodrigo de Villandrando, Pedro Antonio Vi [+]
Of this Italian painter, sculptor and architect, Ceán Bermúdez observed: "Few painters from Italy have been as useful for the fine arts in Spain as Carducho." And indeed, he is a key figure for unders [+]
A student of the Florentine painters Alessandro Allori (1535-1607) and Santi di Tito (1536-1602), and of the architect Bernardo Buontalenti (1536-1608). During the early 1580s Cigoli painted two lunet [+]
He was a disciple of his father, Italian painter Patricio Cajés, who had moved to Madrid to work on the monastery of El Escorial. He is thought to have spent time in Rome around 1595, where he would h [+]
Boscoli was a prolific draftsman. A student in the school of Santi di Tito (1536-1602), much of his knowledge was, however, self-taught. Time spent in Rome -probably early in the 1580s- enabled him to [+]