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Nebbia, Cesare
Orvieto, H. 1536 - Orvieto, 1614
Nebbia, Cesare
Orvieto, H. 1536 - Orvieto, 1614

Nebbia was a prolific painter and draftsman, a student under Girolamo Muziano (1532-1592), but influenced also by Federico Zuccaro (1540/42-1609). Between 1562 and 1575 he worked continuously as a fre [+]

Morán, Santiago
Madrid (Spain), Ca. 1571 - Valladolid (Spain), 1626
Morán, Santiago
Madrid (Spain), Ca. 1571 - Valladolid (Spain), 1626

Very little is known about this painter who worked mainly as a portraitist. His first known mention dates from 1597 and links him to Madrid and to Juan Pantoja de la Cruz, with whom he had special con [+]

Zuccaro, Federico
Sant'Angelo in vado, Le Marche, 1540/41 - Ancona, Le Marche, 1609
Zuccaro, Federico
Sant'Angelo in vado, Le Marche, 1540/41 - Ancona, Le Marche, 1609

He was taught by his older brother Taddeo (1529-1566) in Rome, where he helped him on a number of decorative projects in the city. After a short visit to Venice, he was in Florence in the mid-1560s, b [+]

Snyders, Frans
Antwerp, 1579 - Antwerp, 1657
Snyders, Frans
Antwerp, 1579 - Antwerp, 1657

Snyders is one of the 17th-century Flemish painters of highest repute, both for his still lifes and for his hunting scenes, and was very well known and appreciated, particularly in Spain. Considering [+]

Samacchini, Orazio
Bologna, 1532 - Bologna, 1577
Samacchini, Orazio
Bologna, 1532 - Bologna, 1577

Samacchini trained under Pellegrino Tibaldi (1527-1596), but his early work was influenced primarily by such artists as Raphael (1483-1520) and Prospero Fontana (1512-1597), as is detectable in the Ma [+]

Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640
Rubens, Peter Paul
Siegen, Westphalia (Germany), 1577 - Antwerp (Belgium), 1640

No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints [+]

Ribalta, Francisco
Solsona, Lérida (Spain), 1565 - Valencia (Spain), 1628
Ribalta, Francisco
Solsona, Lérida (Spain), 1565 - Valencia (Spain), 1628

This artist of Catalan origin received his early training in El Escorial, where he was surrounded by Spanish and Italian artists and their works and was able to follow their most significant innovatio [+]

Reni, Guido
Calvezzano, Bologna, Emilia-Romagna, 04/11/1575 - Bologna, Emilia-Romagna, 18/08/1642
Reni, Guido
Calvezzano, Bologna, Emilia-Romagna, 04/11/1575 - Bologna, Emilia-Romagna, 18/08/1642

The triumph of Annibale's oeuvre in Rome paved the way for the disciples of the Carracci family to work at the court of the popes, especially when a cardinal of Bologna acceded to the papal throne as [+]

Passignano
Passignano, 1559 - Florence, 1638
Passignano
Passignano, 1559 - Florence, 1638

He studied in Florence under Girolamo Macchietti (1535-1592) and Giovanni Battista Naldini (c. 1537-1591), but his principal master was Federico Zuccaro (1540/41-1609), whit whom he worked from 1575 t [+]

Young Palma (Jacopo Negretti)
Venice, 1544 - Venice, 1628
Young Palma (Jacopo Negretti)
Venice, 1544 - Venice, 1628

Jacopo Negretti, known as Palma "il Giovane" to distinguish him from his great uncle Palma "il Vecchio," spent his formative years at the court of Urbino and in Rome, where he was influenced by Taddeo [+]

Carracci, Annibale
Bologna, 1560 - Rome, 1609
Carracci, Annibale
Bologna, 1560 - Rome, 1609

Annibale was probably trained by his elder cousin, Ludovico Carracci (1555-1619), as well as by Bartolomeo Passarotti (1529-1592). In 1582, he and other family members established an academy for the s [+]

Bertoia
Parma, 1544 - Parma, 1573/74
Bertoia
Parma, 1544 - Parma, 1573/74

Nothing is known of Bertoia's training, but his earliest surviving work, a fragment from the fresco of the Coronation of the Virgin (1566), formerly on the exterior of the Palazzo del Comune, Parma, s [+]

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