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Italian engraver, draughtsman and painter. [+]
Born in Seville, Velázquez adopted his mothers surname, as was common in Andalusia, signing “Diego Velázquez” or “Diego de Silva Velázquez". He studied painting and worked professionally in his native [+]
The son of Jacopo (Comin or Robusti) Tintoretto, Domenico trained alongside his father and assisted him in the workshop. He joined the painters' guild at the age of 17 and is documented as a member of [+]
No other 17th-century European painter combined artistic talent, social and economic success and a high cultural level like Rubens. Though primarily a painter, he also made numerous designs for prints [+]
Because all the information that we have on Clara Peeters comes from her paintings, we have to content ourselves with trying to piece together a limited biography. Her first picture dates from 1607. H [+]
His training is linked to Tomasso Salini, who may have been his uncle. His early specialization in flower paintings led him become that genre's most outstanding proponent in his time. His success is c [+]
After a period of training with his father, Bartholomeus de Momper, he joined the painters’ Guild of Saint Luke of his city around 1581. In 1594, he collaborated with Cornelis Floris on the decoration [+]
The sources on Lilio's early life are sparse and sometimes contradictory. As a youth he was already active in Rome, since he is recorded in 1583 as beginning work on the four Evangelists beneath the c [+]
The most important early-17th-century Flemish painter after Rubens, Van Dyck was considered Rubens’ equal by the 18th century. Born in Antwerp, the Spanish Netherlands’ main mercantile and cultural ce [+]
He was the son of Agustín del Castillo, a painter born in Llerena, Extremadura, whose work is practically unknown but whom Palomino called an “excellent painter.” Orphaned in 1626, Antonio studied wit [+]
This Italian painter had a fecund and influential career at court in Madrid, especially with religious works whose initial Counter-Reformation classicism evolved towards a sometimes highly intense nat [+]
Little is known about this artist's calling and training before he became Antonio de Pereda's disciple and main collaborator. Deaf and mute from birth, he was known as "Pereda's deaf mute." In 1679 an [+]
A disciple and collaborator of Francisco Rizi, Antolínez is one of the most interesting Madrid painters of the second half of the 17th century. Despite his low social origins -he was a carpenter's son [+]
This Flemish painter from an artistic family studied with his father, composer Emanuel Adrianssen and his two brothers, painters Vicente and Nicolaes Adrianssen. After training with Artus van Laeck he [+]