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Neefs, Pieter I
Antwerp, Ca. 1576 - Antwerp, 1656-1661
Neefs, Pieter I
Antwerp, Ca. 1576 - Antwerp, 1656-1661

A Flemish painter and draughtsman, he was the head of the family of painters bearing the same surname. Like his two sons, Ludovicus and Pieter the Younger, he specialised in the depiction of building interiors, particularly churches. There is limited corroborated information on Pieter the Elder. It is thought that he was born in Antwerp around 1576, where his family lived. The influence of Hendric

Teniers the Younger, David
Antwerp, 1610 - Brussels, 1690
Teniers the Younger, David
Antwerp, 1610 - Brussels, 1690

He was born into a family of artists and his father, David Teniers "the Elder", was his first master; indeed, he is referred to by scholars as "David Teniers II". He joined the Guild of St Luke in 1633 and began to sign and date his paintings that same year. During the early stage of his career his genre paintings were inspired by Brouwer and his landscapes display the influence of Momper and Bril

Seghers, Daniel
Antwerp, 1590 - Antwerp, 1661
Seghers, Daniel
Antwerp, 1590 - Antwerp, 1661

Son of a silk merchant, he emigrated early on with his family to the Northern Netherlands, where he converted to Calvinism. He started studying painting 1605, and upon returning to Antwerp in 1611, he entered the Guild of San Lucas after a period of apprenticeship with Jan Brueghel de Velours. In 1614, he re-embraced the Catholic faith and entered the Jesuits in Mechelen as a layman. Afterwards, h

Rembrandt (Rembrandt Harmensz. van Rijn)
Leiden (Netherlands), 1606 - Amsterdam (Netherlands), 1669
Rembrandt (Rembrandt Harmensz. van Rijn)
Leiden (Netherlands), 1606 - Amsterdam (Netherlands), 1669

He was the ninth child of a wealthy family from Leiden. His father, Harmen Gerritsz. van Rijn, came from a family of millers who had settled in the city and who adopted the nickname Van Rijn because the mill was located on the banks of the Rhine. His mother, Harmen Neeltgen van Zuytbroeck, was the daughter of a prosperous baker from the same city. In 1620 after he studied for seven years at a Lati

Fyt, Jan
Antwerp, 1611 - Antwerp, 1661
Fyt, Jan
Antwerp, 1611 - Antwerp, 1661

He began painting under the guidance of Hans van den Berch, with whom he began training around 1621. His great master, however, would be Frans Snyders. He attained the rank of master of the painters’ Guild of Saint Luke in Antwerp around 1629–1630, although he continued to work for Snyders for some time. In 1633–1634, he was in Paris, and later in Italy. He visited Naples, Florence and Genoa. Some

Claesz., Pieter
Berchem (Belgium), 1596/1597 - Haarlem, 1660
Claesz., Pieter
Berchem (Belgium), 1596/1597 - Haarlem, 1660

Little is known about his life with certainty. From a document dated 29 September 1640, in which the painter states that he was 41 years old, it can be presumed that he was born between 1596 and 1597. His marriage date to Geertje Hendricksdr in Haarlem is documented as 21 May 1617. The couple had two children, Riekje and Claes, the latter of whom became a well-known landscape painter with the name

Adrianssen, Alexander van
Antwerp, 1587 - Antwerp (Belgium), 1661
Adrianssen, Alexander van
Antwerp, 1587 - Antwerp (Belgium), 1661

This Flemish painter from an artistic family studied with his father, composer Emanuel Adrianssen and his two brothers, painters Vicente and Nicolaes Adrianssen. After training with Artus van Laeck he earned the title of Master at the Painters' Guild in 1610, and specialized in still lifes. In 1632, he accepted Painter Philips Milcx as a disciple. Signed works by him are known from as early as 162

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