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Berdusán y Osorio, Vicente
Ejea de los Caballeros, Zaragoza (Spain), 1632 - Tudela, Navarra (Spain), 1697
Berdusán y Osorio, Vicente
Ejea de los Caballeros, Zaragoza (Spain), 1632 - Tudela, Navarra (Spain), 1697

Orphaned at the age of eight, he moved to Tudela, where he studied with his uncle, Fernando de Mozos, between 1645 and 1648. He spent the following four years at court, in Juan Carreño de Miranda's workshop. This brought him into contact with the Royal Collections and with other painters working in Madrid, including Francisco ¬Rizi, Claudio Coello, Francisco de Herrera and Mateo Cerezo. In 1653, h

Willaerts, Adam
London, 1577 - Utrecht, 1664
Willaerts, Adam
London, 1577 - Utrecht, 1664

He arrived in Holland around 1602 and was accepted as a citizen of Utrecht in 1608. His first surviving painting dates from that year, A Fleet from the Dutch East India Company heading East arriving on an Island off the West Coast of Africa. In 1611, he was a founding member of the Utrecht Guild of Saint Luke, where he repeatedly held the position of dean (1620–1622, 1624–1631 and 1636–1637). Desp

Nuzzi, Mario (Mario dei Fiori)
Rome, 1603 - Rome (Italy), 1673
Nuzzi, Mario (Mario dei Fiori)
Rome, 1603 - Rome (Italy), 1673

His training is linked to Tomasso Salini, who may have been his uncle. His early specialization in flower paintings led him become that genre's most outstanding proponent in his time. His success is clear in the number of his works listed in the inventories of numerous Roman palaces, as many patrician families enjoyed them. Another substantial part of his production was sent abroad, especially to

Mierevelt, Michiel Jansz. Van
Delft, 1567 - Delft, 1641
Mierevelt, Michiel Jansz. Van
Delft, 1567 - Delft, 1641

Son of the goldsmith Jan Michelsz. van Mierevelt (1528–1612), Michiel was the most prominent representative of official Dutch portrait painting during the first decades of the 17th century. He became a history painter in Utrecht at the workshop of Anthonis van Blockland (1533/34–1583) and remained there for two years until the master’s death. Afterwards, he returned to Delft where he established h

Camilo, Francisco
Madrid (Spain), 1615 - Madrid (Spain), 1673
Camilo, Francisco
Madrid (Spain), 1615 - Madrid (Spain), 1673

His father, Domenico Camilo, was a Florentine painter who participated in the decoration of the monastery at El Escorial. Following Domenico's death, his widow married Pedro de las Cuevas, a painter from Madrid who then taught young Francisco the art of painting. In court circles, he made paintings of the kings of Spain to decorate the Hall of Comedies at the Alcázar in Madrid, and beginning in 16

Cabezalero, Juan Martín
Almadén, Ciudad Real (Spain), Ca. 1634 - Madrid (Spain), 1673
Cabezalero, Juan Martín
Almadén, Ciudad Real (Spain), Ca. 1634 - Madrid (Spain), 1673

He must have been quite young when he arrived in Madrid and became a disciple of Carreño, as he is mentioned as a "master painter" living in Carreño's house in 1666. Among his very few known works are a Saint Jerome signed in 1666 (Meadows Museum, Dallas), four large canvases he made for the Venerable Third Order of Saint Francis between 1667 and 1668, and his collaboration with José Jiménez Donos

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