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Valdés Leal, Juan de
Sevilla, 1622 - Sevilla, 1690
Valdés Leal, Juan de
Sevilla, 1622 - Sevilla, 1690

This Spanish painter and engraver was an exact contemporary of Murillo as well as his greatest rival as a painter in Seville at that time. The two have often been compared on the rather artificial bas [+]

Peeters, Clara
Antwerp (?), Ca. 1588/90 - Antwerp (?), Post. 1621
Peeters, Clara
Antwerp (?), Ca. 1588/90 - Antwerp (?), Post. 1621

Because all the information that we have on Clara Peeters comes from her paintings, we have to content ourselves with trying to piece together a limited biography. Her first picture dates from 1607. H [+]

Coello, Claudio
Madrid (Spain), 1642 - Madrid (Spain), 1693
Coello, Claudio
Madrid (Spain), 1642 - Madrid (Spain), 1693

One of the leading representatives of Madrid’s baroque school, he was born to a Portuguese family settled in that city. His father, a bronze worker by profession, sent him to Francisco Rizi’s studio t [+]

Carreño de Miranda, Juan
Avilés, Asturias (Spain), 1614 - Madrid (Spain), 1685
Carreño de Miranda, Juan
Avilés, Asturias (Spain), 1614 - Madrid (Spain), 1685

Born into a noble family of the Principality of Asturias, Carreño de Miranda received his early training in Madrid at the workshop of Pedro de las Cuevas, where he may have coincided with Antonio de P [+]

Arredondo, Isidoro
Colmenar de Oreja, Madrid (Spain), 1657 - Madrid (Spain), 1702
Arredondo, Isidoro
Colmenar de Oreja, Madrid (Spain), 1657 - Madrid (Spain), 1702

After initial training with José García Hidalgo, he entered the studio of Francisco Rizi and became his most talented disciple. A close family relationship with Rizi—he married one of his teacher's go [+]

Arco, Alonso del
Madrid (Spain), Ca. 1635 - Madrid (Spain), 1704
Arco, Alonso del
Madrid (Spain), Ca. 1635 - Madrid (Spain), 1704

Little is known about this artist's calling and training before he became Antonio de Pereda's disciple and main collaborator. Deaf and mute from birth, he was known as "Pereda's deaf mute." In 1679 an [+]

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