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Tiepolo, Giovanni Battista
Venice (Italy), 1696 - Madrid (Italy), 1770
Tiepolo, Giovanni Battista
Venice (Italy), 1696 - Madrid (Italy), 1770

Tiepolo was famous throughout Europe as an unrivaled fresco painter and a splendid draftsman. His first teacher, Gregorio Lazzarini, encouraged his disciples to study 16th-century Venetian art but Tiepolo was also influenced by the tenebrist technique of Federico Bencovich and the monumental realism of his great contemporary, Giovanni Battista Piazzetta. His first clients were Venetian noblility,

Goya y Lucientes, Francisco de
Fuendetodos, Zaragoza (Spain), 30.3.1746 - Bordeaux (France), 16.4.1828
Goya y Lucientes, Francisco de
Fuendetodos, Zaragoza (Spain), 30.3.1746 - Bordeaux (France), 16.4.1828

Goya was born unexpectedly in his mother’s birthplace, Fuendetodos. His parents, Braulio José Goya, a gilder; and Gracia Lucientes, from a family of wealthy farmers, actually lived in Zaragoza, where they had married in 1736. Francisco was the fourth of six siblings: Rita (1737), Tomás (1739), who was also a gilder and is sometimes mentioned as a painter; Jacinta (1743), Mariano (1750), who died i

Giaquinto, Corrado
Molfetta, Apulia (Italy), 1703 - Naples (Italy), 1766
Giaquinto, Corrado
Molfetta, Apulia (Italy), 1703 - Naples (Italy), 1766

Considered the maximum representative of rococo painting in Rome during the first half of the 18th century and a referent for various generations of Spanish painters, this artist produced abundant oil paintings and most of all, frescoes. He studied with Saverio Porta until 1719, moving to Naples in 1721 to work under the tutelage of Nicola Maria Rossi, a follower of Francesco Solimena. His deep st

Cruz Vázquez, Manuel de la
Madrid (Spain), 1750 - Madrid (Spain), 1792
Cruz Vázquez, Manuel de la
Madrid (Spain), 1750 - Madrid (Spain), 1792

A student at the Academia de San Fernando starting in 1767, he held the position of court painter for the Infante Louis of Spain, brother of Charles III, King of Spain, until 1785. In 1789, he was named an academic of merit at the Madrid institution. He produced paintings with views of the Cartagena port (National Heritage and private collection) and participated in the set of altarpieces commissi

Calleja, Andrés de la
Ezcaray, La Rioja (Spain), 1705 - Madrid (Spain), 1785
Calleja, Andrés de la
Ezcaray, La Rioja (Spain), 1705 - Madrid (Spain), 1785

He studied in Madrid with Jerónimo Antonio Ezquerra and Miguel Jacinto Meléndez, and according to Ceán, his first work consisted of two paintings based on drawings by Meléndez for the church of San Felipe el Real in Madrid: “Saint Augustine Calling Up a Plague of Locusts” and “The Burial of the Count of Orgaz”. A protege of the Prince of Asturias and future King Ferdinand VI, he was appointed cham

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