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González Ruiz, Antonio
Corella (Spain), 1711 - Madrid (Spain), 1788
González Ruiz, Antonio
Corella (Spain), 1711 - Madrid (Spain), 1788

A pupil of Houasse in Madrid between 1726–30, he travelled at his own expense to Paris, Rome and Naples where he completed his education. Upon his return in 1737, he became acquainted with the court milieu, worked for the Palace, and was a member of the Preparatory Board for the foundation of the Royal Academy of Noble Arts beginning in 1744. He married a daughter of the engraver Juan Bernabé Palo

Quénedey, Edme
Les Riceys (France), 1756 - Paris (France), 1830
Quénedey, Edme
Les Riceys (France), 1756 - Paris (France), 1830

Draftsman, miniaturist, draftsman, painter and engraver who used the fisionotrazo. From 1787 to 1789 he worked in collaboration with Gilles Louis Chrétien (1754-1811). (E. Bénézit, Dictionnaire, 1976, v. 8, p. 551; British Museum http://www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=110669)

Romero, Juan Bautista
Ruzafa, Valencia (Spain), 1756? - Ruzafa, Valencia (Spain), Post. 1802
Romero, Juan Bautista
Ruzafa, Valencia (Spain), 1756? - Ruzafa, Valencia (Spain), Post. 1802

After studying at the San Fernando Royal Academy of Fine Arts, he unsuccessfully competed for the Studio of Flowers and Ornaments prize at the San Carlos Academy of Fine Arts in 1783. Afterwards, in 1784, he enrolled at the School of Flowers, founded by Benet Espinós, where he won first prize in 1785. He later returned to Madrid, where, in 1796, he offered a pair of paintings of flower vases as a

Joli, Antonio
Modena (Italy), 1700 - Naples (Italy), 1777
Joli, Antonio
Modena (Italy), 1700 - Naples (Italy), 1777

According to historian Girolamo Tiraboschi, Antonio Joli was a disciple of perspective painter Raffaelo Menia Rinaldi in Modena and later, in Rome, of Giovanni Paolo Panini, a painter of idealized landscapes with classical ruins whose influence on Joli's style was decisive. In 1732, Joli began his career painting theater sets in Venice, one of the most important centers for Italian opera at that t

Giaquinto, Corrado
Molfetta, Apulia (Italy), 1703 - Naples (Italy), 1766
Giaquinto, Corrado
Molfetta, Apulia (Italy), 1703 - Naples (Italy), 1766

Considered the maximum representative of rococo painting in Rome during the first half of the 18th century and a referent for various generations of Spanish painters, this artist produced abundant oil paintings and most of all, frescoes. He studied with Saverio Porta until 1719, moving to Naples in 1721 to work under the tutelage of Nicola Maria Rossi, a follower of Francesco Solimena. His deep st

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