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Symposium

Key Women in the Creation of the Collections of the Museo del Prado: Elisabeth Farnese

March 9 and 10, 2026

It was probably Queen Elisabeth Farnese, patron of the arts, who most decisively contributed to giving shape to the Museo del Prado’s collections. This third edition of the symposium titled Key Women in the Creation of the Collections of the Museo del Prado, to be held on March 9 and 10, invites us to reconsider the significance of her patronage and her pivotal contribution to the artistic collection that the Museum now preserves. As in previous editions, this scientific meeting was designed with the intention of recovering, studying, and disseminating the cultural agency of the women of Europe’s royal houses, whose collections and artistic decisions have left a profound imprint on the identity of the Museum.

Throughout the sessions, a group of notable national and international specialists will examine the political, cultural, and dynastic context in which Elisabeth Farnese advanced her patronage; the mechanisms through which she built her public image as queen consort in the exercise of her power; the complex network of mediators that made the realization of her collections possible; and her extraordinary relevance in the fields both of painting and classical sculpture. From an initial analysis of the interests of other queenly European patrons —for instance, Maria Theresa of Austria, Catherine II, and Sophia Charlotte of Mecklenburg-Strelitz— to a specific consideration of Elisabeth Farnese’s own collecting activities, this symposium invites reflection on female artistic agency in the Modern Age and its impact on the circulation of works, the promotion of artists, and the consolidation of new narratives of power.

As complementary activities, the meeting will include the screening of a documentary dedicated to Elisabeth Farnese and a visit to the exhibition El Prado en femenino III. The exhibition explores the legacy this queen passed on, underscoring how her work in the field of artistic promotion definitively contributed to enriching the Museum’s collection. With this initiative, the Museo del Prado consolidates an essential line of work that explores the actions of these queens who made possible an essential part of the legacy that we are fortunate to continue to admire today.

With the collaboration of:
Instituto de las mujeres
Sign up
Via the online form available on this site from January 8 to March 3, 2026
Schedule
Both days, from 10:00 to 13:00 and from 16:00 to18:00 h
Recipients
Predoctoral and postdoctoral students, university students, researchers, professionals, and the general public.
Location
Auditorium of the Museo Nacional del Prado (“Los Jerónimos” Access)
Price
Free of charge
Direction
Noelia García Pérez (University of Murcia)
In-person and remote attendance
Participants may attend the sessions in person (entry to the conference will be free until full capacity is reached) or via remote; the Zoom link will be provided upon registration. When registering, you must choose a mode of attendance.
Languages
Spanish, English and Italian are the official Symposium languages. Simultaneous translation will be available throughout the Symposium
Collaboration
Women’s Institute

Program

2026

Mar
9
09.30 hCollection of accreditations
10.00 hPresentation

Alfonso Palacio, Museo del Prado

Noelia García Pérez, University of Murcia

10.30 hEmpress Maria Theresa of Austria as Patron and Symbol in the Visual Arts

Michael Yonan (University of California)

11.15 hPower and Paint: The Patronage of Women Artists at the Court of Catherine II

Rosalind Polly Blakesley (University of Cambridge)

12.00 hBreak
12.30 hSophia Charlotte of Mecklenburg-Strelitz: How a Queen Promoted Both Art and Female Artists in English Society

Heidi A. Strobel (University of North Texas)

16.00 hRound table. Isabel de Farnesio. Una reina consorte en el ejercicio del poder (Elisabeth Farnese: A Queen Consort in the Exercise of Power)

María de los Ángeles Pérez Samper (University of Barcelona)

Giulio Sodano (Università della Campania Luigi Vanvitelli)

Pablo Vázquez Gestal (Sorbonne Université, Centre Roland Mousnier)

Moderator: Carlos González Navarro (Museo del Prado

17.00 hRound table. El patronazgo de Isabel de Farnesio. Estado de la cuestión (The Patronage of Elisabeth Farnese: State of the Art)

Ángel Aterido (Complutense University of Madrid)

Antonio Iommelli (Farnese Palace Museums)

Moderator: Ana González Mozo (Museo del Prado)

Mar
10
10.00 hIsabel de Farnesio en las colecciones del Museo del Prado (Elisabeth Farnese in the Museo del Prado Collections)

Noelia García Pérez (University of Murcia)

10.45 hRound table. Construyendo la imagen de la reina. De Molinaretto a Van Loo (The Construct of the Image of the Queen: From Molinaretto to Van Loo

Sandra Antúnez (Complutense University of Madrid)

Andrés Úbeda (Museo del Prado)

Mercedes Simal (University of Jaén)

Moderator: Noelia García Pérez

11.30 h
12.00 hRound table. De Cristina de Suecia a Isabel de Farnesio: la formación de la colección de escultura clásica del Museo del Prado (From Christina of Sweden to Elisabeth Farnese: The Creation of the Museo del Prado’s Collection of Classical Sculpture)

Manuel Arias (Museo del Prado)

Juan Ramón Sánchez del Peral (Museo del Prado)

Mercedes Simal (University of Jaén)

Moderator: Ana Martín (Museo del Prado)

16.00 hEl boceto de Santa Ana enseñando a leer a la Virgen. La sustracción y retorno del boceto de Murillo del Museo del Prado (The Sketch of Saint Anne Teaching the Virgin to read. The Theft of Murillo’s Sketch from the Museo del Prado and Its Return)

Benito Navarrete (Complutense University of Madrid)

16.45 hScreening of the documentary
17.15 hVisit – The Female Perspective III

Activity

Director: Noelia García Pérez

Director: Noelia García Pérez
Noelia García Pérez

Noelia García Pérez is Professor of History of Art at the University of Murcia. Her main lines of research focus on patronage of the arts by women and the relationship between art, power, and gender in the Renaissance. She has contributed extensively to publications including Women's History Review, Early Modern Women. An Interdisciplinary Journal, Goya, The Book Collector, ARBOR, and Culture & History, among others. She is the author of Miradas de Mujeres. El patronazgo femenino y el arte del Renacimiento (Women’s Perspectives: Female Patronage and Renaissance Art) and El patronazgo artístico de Mencía de Mendoza (The Artistic Patronage of Mencía de Mendoza). Professor García Pérez has edited collective volumes and, throughout

her career, she has undertaken research stays at the Warburg Institute, the Institute of Fine Arts, the Hispanic Society of New York, and the Musées royaux des Beaux-Arts de Belgique. She has participated in national and international research projects, notably the one on Mencía de Mendoza promoted by the Getty Research Institute. By establishing the International Research Conference on Art, Power, and Gender in 2017, which she continues to direct, Professor García Pérez has been instrumental in making the University of Murcia a center of excellence for the study of female artistic patronage in the Modern Age.

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