Museo Nacional del Prado

Pietro Maria Rossi, Count of San Secondo

Oil on panel. 1535 - 1538

Parmigianino. Girolamo Francesco Maria Mazzola

Camilla Gonzaga, Countess of San Segundo, and her Sons

Lithographic aquatint, Crayon lithography, Scraper on wove paper. 1829 - 1832

Augusto Guglielmi – Lithographer – (The original work, according to inscriptions, attributed to: Bronzino (Agnolo di Cosimo))

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

José de Madrazo y Agudo – Director

Real Establecimiento Litográfico de Madrid – Printer

Circe

Grey-brown ink, Pencil on yellow paper. First half of the XVI century

Parmigianino. Girolamo Francesco Maria Mazzola – (Attributed to)

Camilla Gonzaga, Countess of San Segundo, and her Sons

Lithographic aquatint, Scraper, Crayon lithography, Printing on japon on wove paper. 1829 - 1832

Augusto Guglielmi – Lithographer – (The original work, according to inscriptions, attributed to: Bronzino (Agnolo di Cosimo))

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

José de Madrazo y Agudo – Director

Real Establecimiento Litográfico de Madrid – Printer

Camilla Gonzaga, Countess of San Segundo, and her Sons

Lithographic aquatint, Scraper, Printing on japon, Crayon lithography on wove paper. 1829 - 1832

Augusto Guglielmi – Lithographer – (The original work, according to inscriptions, attributed to: Bronzino (Agnolo di Cosimo))

José de Madrazo y Agudo – Director

Real Establecimiento Litográfico de Madrid – Printer

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

Camilla Gonzaga, Countess of San Segundo, and her Sons

Scraper, Crayon lithography, Lithographic aquatint on wove paper. 1829 - 1832

Augusto Guglielmi – Lithographer – (The original work, according to inscriptions, attributed to: Bronzino (Agnolo di Cosimo))

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

José de Madrazo y Agudo – Director

Real Establecimiento Litográfico de Madrid – Printer

The Holy Family with Angels

Oil on panel. Ca. 1524

Parmigianino. Girolamo Francesco Maria Mazzola

Camilla Gonzaga, Countess of San Segundo, and her Sons

Scraper, Lithographic aquatint, Crayon lithography on wove paper. 1829 - 1832

Augusto Guglielmi – Lithographer – (The original work, according to inscriptions, attributed to: Bronzino (Agnolo di Cosimo))

José de Madrazo y Agudo – Director

Real Establecimiento Litográfico de Madrid – Printer

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

Head of a bearded man looking upwards to the left

Red chalk on yellow paper. First third of the XVI century

Parmigianino. Girolamo Francesco Maria Mazzola – (Attributed to)

Saint Barbara

Oil on panel. Ca. 1522

Parmigianino. Girolamo Francesco Maria Mazzola

Camilla Gonzaga, Countess of San Secondo, and her Sons

Oil on panel. 1535 - 1537

Parmigianino. Girolamo Francesco Maria Mazzola – (and workshop)

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