Es una litografía de José María Avrial y Flores (1807-1891) que reproduce el lienzo de Adriaen van Ostade conservado en el Museo Nacional del Prado (P02123). Aunque el lienzo en su momento se creía de su hermano Isaack van Ostade como se indica en la letra de la estampa. Esta estampa se entregaba con el cuadernillo C e iba acompañado de un texto explicativo de José Musso y Valiente. Está encuadernada en el tomo II de la serie editada por el Real Establecimiento Litográfico, dirigida por José de

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early inventories they are described as een boertje, (a little peasant), or as toeback rookerchen, (tobacco smokers). The consolidation and appreciation of this genre was fostered by the satirical and moralising literature of the fifteenth and sixteenth centuries, which was in turn rooted in the Kerelslied

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early inventories they are described as een boertje (a little peasant) or as toeback rookerchen (tobacco smokers). The consolidation and appreciation of this genre was fostered by the satirical and moralising literature of the fifteenth and sixteenth centuries, which was in turn rooted in the Kerelslied or

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in the Netherlandsin the early seventeenth century. In Houbraken and in early inventories they are described as een boertje, (a little peasant) or as toeback rookerchen (tobacco smokers). The consolidation and appreciation of this genre was fostered by the satirical and moralising literature of the fifteenth and sixteenth centuries, which was in turn rooted in the Kerelslied or four

This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in Flanders and Holland in the early seventeenth century. In Houbraken and in early inventories they are described as een boertje, (a little peasant) or as toeback rookerchen (tobacco smokers). The consolidation and appreciation of this genre was fostered by the satirical and moralising literature of the fifteenth and sixteenth centuries, which was in turn rooted in the Kerelslied o