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The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Bartolomé Esteban Murillo)
León Bueno – Drafstman
The Adoration of the Shepherds
Taille douce: etching and engraving on wove paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
François Hubert – Engraver – (Author of the original work: Bartolomé Esteban Murillo)
León Bueno – Drafstman
Imprenta Real – Publisher
Endymion Porter and Anton van Dyck
Wash, Black chalk on wove paper. 1791 - 1797
Dibujo para grabar que reproduce la pintura de Van Dyck conservada en el Museo del Prado (P1489). El dibujo sirvió de modelo al grabador Fernando Selma para abrir la lámina con destino a la serie de estampas de la "Compañía para el grabado de los cuadros de los Reales Palacios", de la que el Museo del Prado conserva un ejemplar (G15).El análisis de las diferencias entre el cuadro de Van Dyck, el dibujo de Bueno y la estampa de Selma pone de manifiesto las dificultades que entrañaba la reproducci
ARTWORK
León Bueno – Drafstman – (Author of the original work: Anthony van Dyck)
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Esquivel de Sotomayor – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Aesop
Taille douce: etching and engraving on continuous paper. 1796
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Esquivel de Sotomayor – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Alegre – Engraver – (Author of the original work: Guercino (Giovanni Francesco Barbieri))
León Bueno – Drafstman
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Bartolomé Esteban Murillo)
León Bueno – Drafstman
Aesop
Taille douce: etching and engraving on laid paper. 1796
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Esquivel de Sotomayor – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Esquivel de Sotomayor – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Saint Peter freed by an Angel
Taille douce: etching and engraving on continuous paper. 1793
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Alegre – Engraver – (Author of the original work: Guercino (Giovanni Francesco Barbieri))
León Bueno – Drafstman
Santa Margarita de Cortona
Stipple engraving, Etching on continuous paper. 1794
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Bartolomé Vázquez – Engraver – (Author of the original work: Francisco de Zurbarán)
León Bueno – Drafstman
Saint Agatha
Taille douce: etching and engraving on continuous paper. 1798
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
José Vázquez – Engraver – (Author of the original work: Andrea Vaccari)
León Bueno – Drafstman
Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Pierre Audouin – Engraver – (Author of the original work: Jusepe de Ribera lo Spagnoletto)
León Bueno – Drafstman
Buffoon with books
Taille douce: etching and engraving on continuous paper. 1792
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
Magistrate with Crucifix
Taille douce: etching and engraving on continuous paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Leandro Bassano)
León Bueno – Drafstman
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on continuous paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Francisco Muntaner y Moner – Engraver – (Author of the original work: Bartolomé Esteban Murillo)
León Bueno – Drafstman
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya
ARTWORK
Manuel Esquivel de Sotomayor – Engraver – (Author of the original work: Diego Rodríguez de Silva y Velázquez)
León Bueno – Drafstman
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