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Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543
Polidoro da Caravaggio
Caravaggio, H. 1499 - Messina, H. 1543

Polidoro left his native Lombardy for Rome around 1515, where he entered the workshop of Raphael (1483-1520). In 1517-1518 he worked with Giulio Romano (c. 1499-1546) and Perino del Vaga (1501-1547) on the frescoes in the Vatican Logge; he developed a particularly close friendship with the latter artist, who probably prepared the plans for Polidoro's frescoes of the Passion (early 1520s) in the Ca

Yáñez de la Almedina, Fernando
Ca. 1489 - Ca. 1536
Yáñez de la Almedina, Fernando
Ca. 1489 - Ca. 1536

This artist considered"Spain's most exquisite Renaissance painter" by Elías Tormo was first mentioned in 1575 in Relaciones de los pueblos de España as "licenciado Yáñez" from the village of Almedina. He also appears in a roster of painters compiled by Hernando de Ávila in his "Art of painting" and included by Diego de Villalta in 1590. In the 17th century, he was mentioned by Juan de Butrón, and

Veronese, Paolo (Paolo Cagliari)
Verona, 1528 - Venice, 1588
Veronese, Paolo (Paolo Cagliari)
Verona, 1528 - Venice, 1588

Veronese was trained in his native Verona by a local painter, Antonio Badile (1518-1560), and then by Giovanni Caroto (1488-1563/66). The influence of both these masters appears in his earliest independent works, which were executed around 1546 for local patrons and institutions. He received his first commissions outside Verona in the early 1550s, when he worked for a number of wealthy Venetian fa

Titian (Tiziano Vecellio)
Pieve di Cadore, Belluno, Veneto (Italy), Ca. 1490 - Venice (Italy), 1576
Titian (Tiziano Vecellio)
Pieve di Cadore, Belluno, Veneto (Italy), Ca. 1490 - Venice (Italy), 1576

Born to an important family from Cadore, Titan arrived in Venice around 1500-1502. There, after first working in Giovanni Bellini’s workshop, he entered that of his older brother Gentile Bellini. Around 1507, he began working with Giorgone on the decoration of the façades of the Fondaco dei Tedeschi, the German merchants’ warehouse in Venice. Today, only a small part of the original frescoes remai

Tintoretto, Jacopo Robusti
Venice (Italy), 1518/19 - Venice, 1594
Tintoretto, Jacopo Robusti
Venice (Italy), 1518/19 - Venice, 1594

In his biography of Tintoretto Carlo Ridolfi recounts the painter’s fleeting stay at Titian’s studio. But despite the unquestionable authority of this narrative, Tintoretto’s early works bear little resemblance to those of that artist from Pieve di Cadore. His paintings from the late 1530s—The Holy Family with Saint Jerome, the portrait of attorney Girolamo Marcello (private collection, Lucerne),

Meléndez, Miguel Jacinto
Oviedo (Sapin), 1679 - Madrid (Spain), 1734
Meléndez, Miguel Jacinto
Oviedo (Sapin), 1679 - Madrid (Spain), 1734

Miguel Jacinto was the founder of a family of artists, members of which include his younger brother, Francisco Antonio, a miniaturist, and the latter’s son Luis, the most important still-life painter of the 18th century. Miguel Jacinto moved to Madrid at the end of the century, where he apparently studied with Francisco Antonio in the workshop of José García Hidalgo, a former pupil of Juan Carreño

Borgoña, Juan de
Act. 1495 - Toledo, 1534
Borgoña, Juan de
Act. 1495 - Toledo, 1534

This artist of Burgundian origin had contact with the Tuscan school and was active in Toledo between 1495 and 1535. His main pieces are at cathedrals in Toledo and Avila. He was one of the most important masters in Spain at the beginning of the 16th century and his work in Toledo, where he certainly modified that city’s aesthetic climate, was decisive for ushering in the Renaissance in Castile. Hi

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