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Prolific frescoist and draftsman; it is probable that Gambara trained in the Campi workshop at Cremona, before returning to Brescia in 1549. There, he became an assistant to Gerolamo Romanino (1484/87 [+]
In his biography of Tintoretto Carlo Ridolfi recounts the painter’s fleeting stay at Titian’s studio. But despite the unquestionable authority of this narrative, Tintoretto’s early works bear little r [+]
Alessandro Maganza, was the best-known member of a family of painters from Vicenza, in whose workshop he trained before moving to that of Giovanni Antonio Fasolo (1530-1572). Thereafter he was in Veni [+]
As early as 1527, his name appears linked to his teacher, Juan de Borgoña, and other painters from Toledo, including Pedro de Cisneros and Francisco Comontes, with whom he frequently collaborated, esp [+]
He was first taught in his native Arezzo by the little-known French glass painter and fresco painter, Guillaume de Marcillat (1475-1529 or 1537). By 1524, he had moved to Florence, where he worked for [+]
Born to an important family from Cadore, Titan arrived in Venice around 1500-1502. There, after first working in Giovanni Bellini’s workshop, he entered that of his older brother Gentile Bellini. Arou [+]
Vasari (1511-1574), who was himself a pupil of Andrea del Sarto (Andrea d'Agnolo) during the mid-1520s, indicated that this painter and draftsman trained under an obscure artist, Gian Barile, before m [+]
This German painter and treatise-writer was the most outstanding proponent of early neoclassicism. He began art studies in Dresden under the severe supervision of his father, Ismael Mengs, a painter a [+]
Together with his brother Giovan Pietro, Luini was the perpetuator of the style of their father, the Milanese painter, Bernardino Luini (c. 1480/85-1532), whose premature death left his frescoes in S. [+]
Flemish painter and draftsman, he was for long active in Italy. In 1556-1557, he is recorded in Antwerp as the pupil of the landscape painter Kerstiaen van Queboom (1515-1578). He arrived in Bologna i [+]
Bandinelli was, after Michelangelo (1474-1564), the leading Florentine sculptor of the period. He was the son of the prominent Florentine goldsmith Michelangelo di Viviano (1459-1528), by whom he was [+]
Born to a noble family from Cremona, she learned painting alongside her five sisters. Her first studies, from around 1545, were with Bernardino Campi. Then, beginning in 1549, she continued with Berna [+]