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He was first taught in his native Arezzo by the little-known French glass painter and fresco painter, Guillaume de Marcillat (1475-1529 or 1537). By 1524, he had moved to Florence, where he worked for [+]
Siciolante became an assistant to Perino del Vaga (1501-1547) following a probable apprenticeship with Leonardo Grazia da Pistoia (active in 1520-1550). His earliest certain surviving work -an altarpi [+]
This artist of Catalan origin received his early training in El Escorial, where he was surrounded by Spanish and Italian artists and their works and was able to follow their most significant innovatio [+]
Probably at the instigation of the architect Vignola (1507-1573), Passerotti received his education in Rome, as the pupil of Taddeo Zuccaro (1529-1566). He remained there for around fifteen years, dur [+]
Early death put an end to the career of this artist hired by Philip II to depict on canvas the Counterreformation's proposals for devotional images—a subject that greatly concerned the monarch during [+]
Luca Cambiaso was the most celebrated Mannerist painter of the Genoese school, and the inventor of many large-scale fresco decorations in both palaces and churches in the city. As a draftsman, he is c [+]
This follower and disciple of his father, Juan de Borgoña, has been identified by Díaz Padrón as the Master of Pozuelo and of Toro, active in Toledo between 1533 and 1565. After studying with his fath [+]
He was taught by Giovanni Battista Naldini (c. 1537-1591) the pupil and "artistic heir" of Pontormo (1494-1557). In his turn, Balducci became the spiritual heir to Naldini. Balducci followed his maste [+]