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Bartolomeo Passerotti

Bologna, 1529 - Bologna, 1592

Probably at the instigation of the architect Vignola (1507-1573), Passerotti received his education in Rome, as the pupil of Taddeo Zuccaro (1529-1566). He remained there for around fifteen years, during which time he earned a reputation as a distinguished portraitist, a genre he continued to pursue throughout his career. But one of Passerotti's first works following his return to Bologna, the Virgin Enthroned with Saints (1565) for S. Giacomo Maggiore, shows little evidence of his schooling under Zuccaro, reflecting instead an interest in the style of Correggio (c. 1489-1534). Thereafter, however, he fell in line with the Mannerist style of local artists such as Samacchini (1532-1577). During the 1570s, works such as the Ecce Homo in S. Maria del Borgo demonstrate an awareness of the work of Pellegrino Tibaldi (1527-1596), before Passerotti subsequently pursued greater naturalism. Inspired by Flemish painting, he also executed from the mid-1570s onwards numerous scenes of butchers' shops, few of which survive (Turner, N.: From Michelangelo to Annibale Carracci. A century of Italian drawings from the Prado, Art Services International-Museo Nacional del Prado, 2008, p. 114).

Artworks (8)

Imagen de la obra

Copy of a Statue of a Nude Woman Seen from the Rear

Pencil, Grey-brown ink on yellow paper, XVI century

Bartolomeo Passerotti (Attributed to)

Imagen de la obra

Holy Family, Accompanied by an Angel and Two Saints

Wash, Pencil, Pencil ground, Grey-brown ink on brown paper, XVI century

Bartolomeo Passerotti

Imagen de la obra

Standing Nude Man

Pencil, Pencil ground, Grey-brown ink on dark toned paper, XVI century

Bartolomeo Passerotti

Imagen de la obra

Old Woman Seated in a Chair

Pencil ground, Grey-brown ink, Pencil on paper, XVI century

Bartolomeo Passerotti

Imagen de la obra

Two semi-nude Putti Embracing, One Male and the other Female

Pencil, Pencil, Grey-brown ink on yellow paper, 1560 - 1570

Bartolomeo Passerotti (Copy Michelangelo (Michelangelo Buonarroti))

Imagen de la obra

Studies of Figures

Pencil, Grey-brown ink on yellow paper, 1560 - 1570

Bartolomeo Passerotti (Copy after Michelangelo (Michelangelo Buonarroti))

Imagen de la obra

The Good Thief, Copied from Michelangelo's Last Judgement

Pencil, Pencil ground, Grey-brown ink on yellow paper, 1560 - 1570

Bartolomeo Passerotti (Copy Michelangelo (Michelangelo Buonarroti))

Imagen de la obra

Head of a figure

Pencil, Grey-brown ink on blue paper, 1560 - 1570

Bartolomeo Passerotti

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