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Fortuny, Mariano
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Fortuny, Mariano

Reus, Tarragona, 1838 - Rome, 1874

Fortuny, Mariano See author's file


1916. Etching, Aquatint, Burnisher on paper Not on display

Fortuny was exceptionally skilled in printmaking techniques. Following his initial use of lithography in 1857, in the 1860s he produced a remarkable series of etchings that can be considered one of his finest achievements. They depict Arab subjects, genre scenes and others of classical inspiration, all characterised by an expressive intensity that made full use of this technique’s different resources, which he had studied in the work of Ribera, Rembrandt and Goya. Following his first trip to North Africa, Fortuny realised that etching was particularly suited to conveying its mysterious atmosphere. This group of prints offers the finest and most true to life vision of orientalism to be found in European art. The Anchorite, one of the artist’s masterpieces, conveys the sense of both death and the desolation of nature.


Technical data

Related artworks

Anchorite. Fourth state
Etching on paper, 1869
Anchorite. Second state
Etching on paper, 1869
Inventory number
Fortuny, Mariano
Etching; Aquatint; Burnisher
Height: 377 mm.; Width: 500 mm.
Donated by Mariano Fortuny y Madrazo, son of the painter, to the Museo de Arte Moderno, 1934

Bibliography +

Museo Nacional del Prado, Museo del Prado: catálogo de estampas, Museo del Prado, Madrid, 1992, pp. 42.

Vives, R, 'Mariano Fortuny. Anacoreta' En:, Fortuny (1838-1874), Museo Nacional del Prado,, Madrid, 2017, pp. 352-356 n.127.

Other inventories +

Inv. Estampas siglo XIX, Casón Buen Retiro. Núm. 384.

Exhibitions +

Picasso, pintor de grabados. El aguatinta
29.11.2018 - 03.02.2019

Fortuny (1838-1874)
21.11.2017 - 18.03.2018

Update date: 08-06-2019 | Registry created on 14-11-2017

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