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18-02-2026
José Aparicio e Inglada

Alicante (Spain), 1770 - Madrid (Spain), 1838

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Ferdinand VII, King of Spain

1827. Oil on canvas.
On display elsewhere

This is a fragment of The Landing of Ferdinand VII, King of Spain, in Puerto de Santa María (Cádiz) with the portrait of Ferdinand VII (La Granja de San Ildefonso, Segovia, 1784–Madrid, 1833), King of Spain (1808 and 1814–33), dressed as captain-general. Over his uniform, he wears the insignia of the Golden Fleece and the sash of the Royal Order of Charles III, King of Spain. The painting to which this fragment belongs depicted Ferdinand VII’s encounter with the Hundred Thousand Sons of Saint Louis – French troops commanded by the Duke of Angouleme – on 1 October 1823 in Puerto de Santa María in Cádiz when he returned from his exile. This encounter put an end to the Liberal Triennium (1820–23). The characters have been identified according to the description included in the leaflet published by the painter in 1828. It was commissioned by the Madrid city council to His Majesty’s court painter, José Aparicio, in order to perpetuate the memory of the royal family’s freedom. The Royal Decree of 17 September 1827 ordered the painting to be exhibited in the public exhibition being held at that moment in the Real Academia of San Fernando, and once this was concluded, the painting would be displayed in the Real Museo de las Pinturas.

By virtue of a Royal Decree in 1833, the work was subsequently deposited in the Supreme Court of Justice in Madrid. It is possible that it was partially damaged in the fire of the Supreme Court (Salesas Palace) on 5 May 1915. The fragments were acquired by the Marquess of Cerralbo in El Rastro Market in Madrid. The State accepted them as part of Villa-Huerta collection bequest, pursuant to the provisions in the Will of the Hon Lady Mrs Amelia del Valle y Serrano, marquise of Villa-Huerta, granted in Madrid on 6 January 1927, before notary Mr Luis Gallinal y Pedregal. 13 framed portraits and eight frameless fragments, with inventory numbers VH0019–VH0031 and VH0431 entered the Museo Cerralbo. Before being brought to Madrid, the paintings were located in the Palace of Santa María de Huerta in Soria, under the ownership of the Marquises, and were exhibited in the Billiard Room on the Main Floor and in the Painting Galleries on the Mezzanine Floor in the mid-20th century. All of them have been kept in the Museo Cerralbo, whose storage was regulated by the Order of 6 August 2015.

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Inventory number
P008204/001
Author
José Aparicio e Inglada
Title
Ferdinand VII, King of Spain
Date
1827
Technique
Oil
Support
Canvas
Dimension
Width: 55 cm; Height: 81 cm
Provenance
Royal Collection

Bibliography +

Aparicio, José, Descripción sencilla y breve del cuadro que representa el feliz arribo y desembarco de SS.MM en el Puerto de Santa Maria, verificado en el dia 1º de octubre de 1823 / pintado con real permiso por Don José Aparicio, [s.n.],, 1827.

Ossorio y Bernard, M., Galería biográfica de artistas españoles del Siglo XIX, Giner, Madrid, 1975, pp. 40.

Pardo Canalís, Enrique, 'El Desembarco de Fernando VII en el Puerto de Santa María' por José Aparicio, Anales del Instituto de Estudios Madrileños., 22, 1985, pp. 127-157.

Federico de Madrazo (1815-1894), Amigos del Museo Romántico, Madrid, 1994, pp. 45.

Tébar Martínez, Pilar, José Aparicio Inglada: de Alicante a la corte de Fernando VII, Canelobre: revista del Instituto de Estudios Juan Gil-Albert, 64, 2014, pp. 63-83.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado. Catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 75.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 74.

Alba Pagán, Ester, Representaciones de la Reina en la retórica visual del Absolutismo Fernandino:la imagen de Maria Josefa Amalia de Sajonia como estrategia de la alianza entre el Trono y el Altar., Ars Longa, n.25, 2016, pp. 201-231 [207, 209 nt.27].

Martínez Plaza, Pedro José, Historia, alegoría, religión y mito en la obra de José Aparicio, en: El pintor José Aparicio (1770-1838), Consorci de Museus de la Comunitat Valencian, 2022, pp. 137-169 [157-161 fg.6,8].

Other inventories +

Museo Real de Pinturas a la muerte de Fernando VII, 1834. Núm. 41.
GABINETE DE DESCANSO DE SS. MM. / Quarenta y uno. Cuadro del desembarco de toda la Familia Real en el puerto de Santa María el Iº de Octubre de 1823 / D. José Aparicio / Lº / 195.000

Inv. Real Museo, 1857. Núm. 1990.
Aparicio. / 1990. Desembarco del Sr. D. Fernando 7º en Cadiz. / Alto 16 pies, 6 pulg; ancho 26 pies, 2 pulg. // [al margen izdo., de otra mano:] 'Rdo' / [al margen dcho., de otra mano:] 'Tribunal Supremo de Justicia'.

Números descatalogados del inventario informático. Núm. I000027.
Obra localizada en 2015, por lo que se rectifica el número de inventario y se le adjudica el P8204

Inscriptions +

Inv. de Santa M. de H. / No 25 / Fernando VII. / en 1823 / por / José Aparicio
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Exhibitions +

Préstamo al Tribunal Supremo
Madrid
07.09.2015 - 05.10.2015

Location +

Madrid - Museo Cerralbo (Deposit)

Update date: 18-02-2026 | Registry created on 24-12-2015

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