formularioRDF
The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Close Continuar a ficha de la obra Continuar a ficha de la obra
02-06-2026

Queen Marie Louise of Orléans holding Roses in her right Hand

1650 - 1700. Oil on canvas.
Not on display

Marie Louise of Bourbon-Orléans and Stuart (1662–1689) was the first wife of Charles II of Spain, whom she married in 1679. This portrait was probably painted shortly after her arrival at the Madrid court, given its similarity to another by José García Hidalgo datable to around 1679 and also in the Museo del Prado (P000652). The present work is a full-length image in which the French-born queen, already dressed in the Spanish fashion, is shown next to a large curtain and holding a small cluster of roses in her right hand. In contrast to the work by Hidalgo, in which Marie Louise wears the emblematic Habsburg jewel known as the joyel rico at her breast, here the symbolic reference to the Spanish monarchy takes the form of the bronze lion supporting the tabletop on which the queen rests her arm. In the barely ten years that Marie Louise lived in Spain, she assembled a collection of more than 150 paintings, of which a significant number were portraits. Twenty-one of these were exhibited in the Queen’s Gallery. Intended for the reception of official visits, this space had an iconographic programme that exalted her dynasty. Conceived with a clear political intent, this series of works, many of them now in the Museo del Prado, increased the presence and influence of the French school at the Spanish court.

Multimedia

Technical data

Imagen del carrusel
Imagen del carrusel

Related artworks

Inventory number
P007190
Author
Anonymous
Title
Queen Marie Louise of Orléans holding Roses in her right Hand
Date
1650 - 1700
Technique
Oil
Support
Canvas
Dimension
Height: 210 cm; Width: 122.49999 cm
Series
Obras incautadas. Un proceso abierto
Provenance
Monasterio de la Encarnación, Madrid, 1937; Junta de Incautación y Protección del Tesoro Artístico; Museo del Prado, 1937
Entry date
1937

Bibliography +

Martínez Leiva, Gloria, 'El exilio de la reina viuda Mariana de Neoburgo y la configuración de un nuevo retrato áulico' En: Carlos II y el arte de su tiempo, Fundación Universitaria Española, Madrid, 2014, pp. 219-256 [223 f.8].

García Pérez, Noelia, The female perspective II. Women art patrons of the Museo del Prado (1602-1700), Museo Nacional del Prado, Madrid, 2024, pp. 37 nº7.

García Pérez, Noelia, El Prado en femenino II. Promotoras artísticas de las colección del Museo (1602-1700)., Museo Nacional del Prado, Madrid, 2024, pp. 37 nº 7.

Other inventories +

Junta de Incautación y Protección del Tesoro Artístico. Núm. 15793 - 40.
Inv. 15793 Colec. 40 210 x 123 Procedencia Encarnación (convento) Retrato de la maria Luisa de cuerpo entero. Escuela madrileña S. XVIII Depósito M. P. [Museo del Prado]

Nº Fotografia SDPAN (Servicio de Defensa del Patrimonio Artístico Nacional). Núm. 9809.

Inscriptions +

´D. MARIA LVISA, Reyna de españa.
Inscribed in pen and black ink. Front, lower left corner

Junta de Incautación / No de inventario 15793 / Procedencia Encarnacion / No 40
Printed label. Stretcher bar

Exhibitions +

Búcaros. Valor del agua y exaltación de los sentidos en los siglos XVII y XVIII
Madrid
22.05.2025 - 19.10.2025

The Female Perspective II
Madrid
08.05.2024 - 08.09.2024

Itinerario El Prado en femenino II
Madrid
30.04.2024 - 08.09.2024

Update date: 02-06-2026 | Registry created on 21-05-2019

Visor 360

Drag with the cursor to rotate the piece

Print on demand

Print artworks available in our catalogue in high quality and your preferred size and finish.

Image archive

Request artworks available in our catalogue in digital format.

Up