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17-07-2026

Virgin of Guadalupe

After 1730. Oil on canvas.
Not on display

Guadalupe of Mexico was the first globalised Marian image. The dispatch of her “true likenesses” from New Spain to the metropolis bears witness to the intense relations between families and personalities on both sides of the Atlantic who shared desires, aspirations and sentiments. Through them, dense interpersonal, cultural, political, social and economic webs were woven that have now been lost, and which this exhibition seeks to restore.

The Virgin of Guadalupe had a devotional legend, but it was above all a revealed icon whose imprint made by roses on the unprecedented support of a cape of coarse cloth led theologians to compare the phenomenon with the Eucharist itself. For copies of the Holy Original to partake of its miraculous nature, they had to be extremely exact, obliging artists to apply all their skill.

The image of Our Lady of Guadalupe belongs to a family of late Gothic Madonnas (though already more Renaissance in their proportions) of Northern European origin that show her in a state of pregnancy, her hands joined in prayer, surrounded by a radial solar mandorla and positioned over the waning moon and an angelic plinth or footstool. The iconography also shares the signs of identity of the most popular Marian advocations of the first half of the 16th century, the Tota Pulchra and the Apocalyptic woman adorned with the sun, and it finally merged into the representations of the mystery of the Immaculate Conception.

The proof of the sacred nature of the Virgin of Guadalupe lay not only in the miraculous reproduction of her image on Juan Diego’s rustic cape but also in the fact that the cloak was preserved intact despite adverse environmental conditions. The veil of Veronica was also considered a trace or relic of the divine because the face of Jesus had been left imprinted on it through contact with his sweat and blood. The image of La Guadalupana was meanwhile explained in different ways, either as an impression produced by the sun or as a painting mysteriously executed by God or his angels.

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P007443
Author
Anonymous
Title
Virgin of Guadalupe
Date
After 1730
Technique
Oil
Support
Canvas
Dimension
Height: 198 cm; Width: 145 cm
Provenance
Madrid, Convent of Real de Santa María de los Ángeles, 1838; Museo de la Trinidad, 1838-1872.
Entry date
1872

Bibliography +

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas (II). Museo de la Trinidad, Museo del Prado, Espasa Calpe, Madrid, 1991.

Noticias. Levantamiento definitivo de depósitos. Tánger. Catedral, Boletín del Museo del Prado, XII, 1991, pp. 154.

El "Prado disperso". Cuadros depositados en Zaragoza. Escuela de Bellas Artes, Boletín del Museo del Prado, XVI, 1995, pp. 63.

Gómez Nebreda, María Luisa, Las pinturas del convento franciscano de los Ángeles de Madrid que pasaron al Museo de la Trinidad. Contribución al catálogo del "Prado Disperso", Boletín del Museo del Prado, XX, 2002, pp. 37-64 [45].

Cuadriello, Jaime, 'Tipología figural, construcción visual y articulación devocional: travesía atlántica de la imagen de Guadalupe, 1550-1680', Tan lejos, tan cerca: Guadalupe de México en España, Museo Nacional del Prado, Madrid, 2025, pp. 55-115.

Mues Orts, Paloma; Bruquetas Galán, Rocío, "Que no hay quein pueda copiarla': La Virgen de Guadalupe de México y de cómo los pintores novohispanos intentaron retratarla', Tan lejos, tan cerca: Guadalupe de México en España, Museo Nacional del Prado, Madrid, 2025, pp. 141-201.

Other inventories +

Inv. del Convento de Religiosas Fraciscanas llamadas de los Angeles. Núm. 67.
Inventario formado por la Comisión de Nobles Artes, pedida de orn del gobierno à la Real Academia de Sn Fernando, y compuesta de los Señores Dn Juan Galvez y Dn Francisco Elías; en el convento de Monjas Franciscas (bulgo los Angeles) de esta Corte: Coro Principal / 67 Un cuadro de una Virgen de Guadalupe de México, orleado con barios pasages místicos de Alto 2 1/2 Ancho 2 [varas]

Inv. Museo de la Trinidad, Pintura, 1854. Núm. 1203.
1203. / Ntra señora de Guadalupe y de Megico tamº nat.l y cuerpo entº / Autor. / Alto 1,98; ancho 1, 45. / Id,id,id / N. 9 / I Galofre / 3ª clase

Inscriptions +

T.1203
Inscribed in blue. Front, lower left corner

Nº 7443
Inscribed in pen and ink. Stretcher

M.N.PRADO / 07443
On metallic tablet. Stretcher

No19.
Scrap of paper. Front, upper right corner

Deposito
Inscribed. Stretcher

No 9.
Scrap of paper. Front, upper right corner

No 7443
Inscribed in pen and ink. Frame, back, lower bar

Exhibitions +

So far, so close. Guadalupe of Mexico in Spain
Madrid
10.06.2025 - 14.09.2025

Update date: 17-07-2026 | Registry created on 26-09-2018

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