The artist Aurelia Navarro (1882–1968), from Cádiz, entered four canvases, including painting number 560 titled Nude, in the Exposición General (Nacional) de Bellas Artes de 1908 [General (National) Exhibition of Fine Arts of 1908], and was awarded a third-place medal for this painting.The medal that Aurelia Navarro had won in the 1908 competition, engraved with her name, was kept by her direct heirs. They donated the medal to the Museo del Prado on the occasion of the donation of

Esta estampa copia la pintura de Velázquez conservada en el Museo del Prado, P01167. Se trata de la estampa número 20 del segundo volumen de la colección El Grabador al Aguafuerte, que se puso a la venta en la quinta entrega de 1875. Esta entrega comprendía de la estampa número 17 a la 20. En el Gabinete de dibujos y estampas del Museo del Prado, se conserva completo el segundo volumen de esta serie (de la G02000 a la G02047). Con la publicación de la serie El Grabador al Aguafuerte, editada por

This print reproduces the painting by Agustín Esteve in the Museo del Prado, P728, which was previously attributed to Goya in the 19th century, as the inscription indicates. This is print number 18 in the third volume of The Etching Engraver collection, which was offered for sale in the fifth issue from 1876. This issue comprised prints numbered 17 to 20. The copper plate is preserved in the Calcografía Nacional, Madrid (R. 5105). The third volume of this series (G153 to G184) is p

The work belongs to a set of seven prints (G121–G127) of paintings by Velázquez that were carried out by Bartolomé Maura shortly after he settled in Madrid. They are very likely the first prints he engraved while in the capital. In this series, the artist emulated the editions produced in Paris, spearheaded by Cadart and the Societé des Aquafortistes in the 1860s. This led Maura, along with three other engravers, to found the Sociedad del Grabador al Aguafuerte (Society of E