This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional (The Royal Chalcography Bureau) was founded in 1789 to carry out the main projects arising from thes

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional (The Royal Chalcography Bureau) was founded in 1789 to carry out the main projects arising from thes

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional (The Royal Chalcography Bureau) was founded in 1789 to carry out the main projects arising from thes

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional (The Royal Chalcography Bureau) was founded in 1789 to carry out the main projects arising from thes

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya,

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monastery of San Lorenzo de El Escorial). One of Spain’s principle goals during the Enlightenment was to spread knowledge of its monumental and artistic wealth through engravings. Calcografía Nacional (The Royal Chalcography Bureau) was founded in 1789 to carry out the main projects arising from thes