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Guernica. A boost for the Casón
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018Guernica. A boost for the Casón
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018
Guernica arrived in September 1981. The arrangements to move it to Spain from New York were entirely made by the Ministry of Education. It was entirely a ministerial undertaking and the Museum was hardly responsible for anything. The only thing it did was lend the space of the Casón del Buen Retiro.
So, with the arrival of Guernica this “homely little museum” became a real museum with all its requirements: security measures, restoration studio, photography studio... The Casón changed overnight. From having almost no visitors it went to getting a tremendous avalanche. And more staff had to be employed. Above all, a lot of room warders arrived, people who are now in the Museum. From the time of the arrival of Guernica the Casón became completely incorporated into the structure of the Museo del Prado and started to function as another curatorial department even though we were in a different building.
She began working at the Library of the Department of 19th Century Painting, then becoming Conservator in 1987.
Interview recorded on February 21, 2018
Casón del Buen Retiro
7 / 22-
A “homely little museum” -
Library, Archive and Documentation Centre -
The old library at the Casón -
The Museum of yesterday and today -
The Nineteenth Century Collections and the Casón del Buen Retiro -
The challenges of the Library: Relocation and enhancement of the collections -
Guernica. A boost for the Casón -
An incident in the Casón del Buen Retiro -
Water and Fire. An emergency at the Casón del Buen Retiro -
The Casón, finally open to the public -
The 19th-century collection with Guernica. Looking at what you could -
1982. Photography and restoration at the Casón -
Small marvels -
An amazing engineering project -
Electricity During the Night -
1992. The empty gallery -
The Casón, the ugly duckling -
Picasso's Guernica. Working on an iconic painting in the year 1981 -
The Guernica Is Moved -
1997. The Casón closes -
Renovation Works at the Casón: The Collections Are Stored Away Again -
Poring Over Plans Again: The Moneo Extension
- Included in themes
- The impact of the Guernica
- Collective
- Conservation
- Chronology
- 1980-1990
- RDF
- RDF
Conservation
José Luis Díez García
Head of the Department of Conservation of 19th Century Painting, 1988-2013
Manuela Mena Marqués
Head of the Department of Conservation of 18th Century Painting and Goya, 1978-2019
Pilar Silva Maroto
Head of the Department of Conservation of Flemish Painting and the Northern Schools up to 1700, 1997-2017