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The legacy of great colleagues
Manuel Montero Eugenia, Head of the Art Handling Staff, 1986-What's onThe legacy of great colleagues
Manuel Montero Eugenia, Head of the Art Handling Staff, 1986-What's on
The person I learned from was my boss José María Adeba. He was someone who worked really well. He was a hard-working person who organised himself well. A person who knew how to get his job done. I think he’s the one I learned most from. I’ve also learned a lot from Ángel, for example, because he often sets you a problem with a job, something that might not be usual, so you have to use your imagination a bit and work on a good idea that someone in the team suggests. That’s always been the case and I think that the fact that there’s a good atmosphere always makes the job turn out better. I’ve learned a lot from both José María Adeba and from Ángel Campos but also, for example, from Alfonso Pérez Sánchez and Manuela Mena. When I was on the Art Handlers team I only coincided with Pérez Sánchez as director for two years but I’ve been hanging rooms with Manuela Mena for many years. Almost the whole time, as when she hasn’t been deputy director she’s been curator of 18th-century painting. So for me they’re people who I have a lot of contact with and I have good memories of that. Montse Sabán as well, who’s someone who knew how to evaluate both the artistic side, when we substitute a work with the curators, and the personal side. She was the one who would say to a curator: “You want to put that painting here but have you realised how big it is and how much it weighs and they have to get it up the stairs as there’s no goods lift?” She was a linking element in a job that’s not easy and she cut down the work a lot because she was very aware of what was involved on both sides. I miss her a lot. For me, working in the Museo del Prado means everything professionally. I could say that I really love my job. I try to get better in everything I do. Obviously I’m not perfect, I’m far from being that, but I do try not just to do things well but to work hard. The day I’m not around in the job I would like to have left things better than when I arrived – which is in fact very difficult – but I would like that to be the case.
He works at the Museum as a gallery attendant, although he spends most of his professional career working for the Museum's Art Handling Staff.
Interview recorded on June 18, 2018
The Museum leaves its mark
9 / 35-
Refining my taste and learning to evaluate art -
The Pleasures of the Museum -
Retiring at 70 -
The decision to leave the Museum -
Intensity -
The Prado. A turning point in one's life -
Jesús Aroca. Forever in the Museum -
The Prado has determined my life -
The legacy of great colleagues -
Who does the Prado belong to? -
A life at the Foundation -
The best place to be -
Retirement -
Eternity -
The Prado Museum in my life -
The Prado has given me many things -
A Rich Legacy Built by All -
A Marvellous Experience -
A way in the world -
The leap into the unknown -
My grandchildren should know what a watchman and a carpenter are -
Visiting the Museum, before and after -
A Reflection After 40 Years’ Service -
There Are Days When I Dream about the Museo del Prado -
The Museum Is My Second Home -
31 December 2009 -
The Hardest and Most Enriching Challenge -
Love for My Work -
There is life after the Prado -
The warmth of the employees -
The Tranquillity of a Mission Accomplished -
No harsh feelings but not the best ending -
What the Prado gives us -
I’ve Worked a Long Time at This Institution -
I Was There
- Collective
- Art Handling
- RDF
- RDF