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The Recapture of Bahía de Todos los Santos. Fray Juan Bautista Maíno.

Accessible visit / Easy-to-read content of Museo del Prado / The Recapture of Bahía de Todos los Santos. Fray Juan Bautista Maíno.

The Recapture of Bahía de Todos los Santos is a painting by Fray Juan Bautista Maíno, a Spanish painter.

The painting is from 1635.

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What is the subject?

This painting depicts a scene after the battle in which Spain reclaimed the city of San Salvador, located in the Todos os Santos Bay in Brazil.

This battle happened 10 years before the painting was created.

Holland had conquered this city, which belonged to the Spanish monarchy.

For this reason, the Spanish King Philip the Fourth and the Prime Minister, the Count-Duke of Olivares, decided to retake the city in this battle.

In the centre of the painting, a woman tends to a person with a chest wound while others watch with concern.

These people are the war wounded.

In the background of the painting, we can see the bay with the ships that participated in the battle.

On the right of the painting is a group of people on their knees looking at a tapestry, a cloth that depicts 3 figures.

These kneeling people were Dutch soldiers who surrendered after the battle.

The Spanish General Don Fadrique de Toledo stands on a carpet, showing the tapestry to the soldiers.

The tapestry portrays the crowning of King Philip the Fourth by the Count-Duke of Olivares and the goddess of war, Minerva.

This painting is unique because it breaks the common rules of paintings depicting victory in a battle.

Victory paintings usually show the battle and the soldiers, but this painting represents the people of the city where the battle occurred.

The painter wanted to highlight the suffering caused by wars and the compassion among people.

The Recapture of Bahía de Todos los Santos by Fray Juan Bautista Maíno.

The painter

Fray Juan Bautista Maíno is the author of this painting.

Maíno was the drawing master of Philip the Fourth when he was young.

The king also appointed Maíno as an artistic advisor to help him choose the art displayed in his palaces.

In 1634, King Philip the Fourth ordered the decoration of the Hall of the Realms in the Buen Retiro Palace.

He wanted to hang 12 paintings depicting scenes of military victories.

This painting by Maíno was one of the paintings exhibited in the hall.

The Resurrection by Fray Juan Bautista Maíno.
Funded by the European Union - NextGenerationEU Government of Spain - Ministry of Culture Recovery, Transformation and Resiliency Plan Museo Nacional del Prado

Funded with the National Recovery and Resilience Plan (NRPP) , Spain’s Next Generation EU financing and according to the initiatives within the component C.24.I3 Digitization and valorization of major cultural services. The project is part of Campus Prado within Accessibility and Signage: Revitalization of the Urban Environment action line and as a universal accessibility activity.

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